# Odean Pope has led two musical lives … Video

- Link: https://jazzblues.eu/2017/10/24/odean-pope-has-led-two-musical-lives-video/
- Published: 2017-10-24T09:00:46+01:00
- Author: https://JazzBlues.EU

**24.10. – Happy Birthday !!! Odean Pope was born in Ninety-Six, South Carolina 
to musical parents who rooted him in the sounds of the Southern Baptist Church. 
After moving to Philadelphia at the age of ten, his lifelong study of music began
in earnest and was buttressed by The Graniff School of Music and Benjamin Franklin
High School’s music program.**

Odean grew up in jazz rich territory with other Philadelphia notables such as: John
Coltrane, Lee Morgan, Clifford Brown, Benny Golson, McCoy Tyner, Jimmy and Percy
Heath, Ray Bryant, Bill Barron, Kenny Barron, Archie Shepp, Jymie Merritt, Jimmy
Garrison, Philly Joe Jones and Dizzy Gillespie. Coltrane chose Odean to replace 
him in Jimmy Smith’s Group when he left for New York to join Miles Davis. Although
he was close to Coltrane and continues to revere his artistry, Odean was always 
searching for his own musical sound. This led him to study with Ron Rubin, the principal
woodwind player in the Philadelphia Orchestra. At a later time he studied at The
Paris Conservatory for Music under Kenny Clarke. It was there that he received his
Certificate in Orchestration, Modern harmony, African rhythms, Be-Bop Art Forms 
and Arrangement. He studied with the pianist, Ray Bryant, bassist, Jymie Merritt
and was significantly influenced by the brilliant, if not eccentric pianist, Hasaan
Ibn Ali. Odean adds, “Then being able to study with Max (Roach) from ’79 up until’
02, was like going to one of the highest institutions in the whole world.”

Integrating several musical influences including the church choir of his youth, 
Philadelphia jazz and R&B of the 50’s and classical woodwind chamber music, led 
Odean in the early 70’s to help form Catalyst, a collective of musicians and music
representing his new aesthetic. A two-CD set was reissued in 1999 on 32 Records 
as: “Catalyst: The Funkiest Band You Never Heard.” It was music ahead of its time.
In 1979, Odean joined the Max Roach Quartet as a regular member for more than two
decades. It was as the tenor man with Max Roach that Odean perfected the techniques
of circular breathing and multiphonics, both allowing him to stretch his solo improvisations
from dazzling elevations to the throbbing, husky sounds for which he is so well 
known, to all kinds of delicacy in getting from one to the other. Odean won acclaim
from Australia to Japan, even winning “Best Tenor Saxophone Player” at the North
Sea Jazz Festival.

Odean works with his trio, (Lee Smith, Craig McIver) quartet and saxophone choir.
The saxophone choir is formatted with nine saxophones, and was established by Odean
in 1977 and premiered in 1985 with a Soul Note album called “The Saxophone Shop.”
The saxophone choir has been the realization of his southern legacy; a medium for
creating the richly textured harmonic sound that has permeated his musical soul 
since childhood. Even though he plays clarinet, oboe, piccolo, flute and piano, 
Odean feels an affinity for the tenor saxophone because it most closely mimics the
human voice. He constructs layers of melodic sound by playing within the fourth 
system in different tone scales using multiphonics, achieving several pitches together,
for which he is well known. The choir reaches a stunning intensity that is simultaneously
one voice and is also, as described by Francis Davis, “harmonically engorged.”

Odean has led two musical lives. Whereas his musical legion left for New York, Odean
kept Philadelphia as his home base. Having grown up in North Philadelphia, Odean
has always felt a strong commitment to his community through working musically with
the children. He was musical director of a Philadelphia cultural initiative, “Model
Cities.” He started the jazz studies program at the Settlement Music School and 
he continues to give master classes in the School District of Philadelphia, as well
as nationally and internationally.

Odean Pope’s artistry as performer, composer and arranger has earned him many citations
from the City of Philadelphia. Among his many awards are: The Pew Fellowship in 
the Arts for Music Composition (1992), The Rockefeller Foundation (1992) and several
from Chamber Music America.

Tenor saxophonist and composer Odean Pope is an exceptionally compelling and original
musician. As listeners heard when he performed at the Sydney Jazz Festival In 1998,
with the great drummer Max Roach, he possesses a very powerful sound, and a quite
awesome control of his instrument, including the use of multiphonic and circular
breathing techniques.

As The Age review noted, “Pope was the revelation of the night. His brawny tone 
ran the gamut from booming low notes to armor-piercing screams, and his attack never
flinched in the face of Roach’s most ferocious barrages.”

Odean was born in the town in the town of Ninety Six, South Carolina, but grew up
in Philadelphia. Philadelphia had a thriving jazz scene in the post war era and 
produced such notable jazz artists as John Coltrane, Lee Morgan, Clifford Brown,
Benny Golson, McCoy Tyner, the Heath Brothers, Ray Bryant, Kenny Barron, Bill Barron,
Archie Shepp, Jymie Merritt, Jimmy Garrison and Philly Joe Jones.

Odean played his share of R&B gigs (at the Uptown Theater, he played in the house
band behind such. names as James Brown and Marvin Gaye). He studied with Ray Bryant,
and was especially influenced by the pianist Hasaan lbn Ali (a brilliant but obscure
figure who made just one record, ‘The Max Roach Trio Featuring The Legendary Hasaan’.
He was clearly aware of and deeply impressed by the music of John Coltrane. But 
unlike so many other tenor saxophonists, he managed to absorb Coltrane’s message
while developing a recognizable sound of his own.

As Odean told Down Beat in 1983 ‘At a-very-early age, I sort of cancelled saxophone
players out …. I found out that you never get any recognition if you played too 
much like someone else. I started to listen to piano players. I wondered what it
would be like if I could play my horn like Hasaan or Art Tatum or Scott Joplin, 
Jelly Roll Morton or Bill Evans. Dynamically, harmonically and melodically, I think
I got a tremendous amount of knowledge from that experience.’

Apart from touring Europe with Max Roach in 1967- 68. Odean was content for many
years to work in Philadelphia. playing and teaching. Odean joined the cooperative
group, Catalyst, in 1971. They made four albums before disbanding in 1974.

Odean formed The Saxophone Choir in 1977. The concept was inspired by his early 
experiences in the Baptist church. ‘I was brought up in the church.’ Odean recalls,‘
and they used to have choirs that I would sing in. Deep down, I always asked myself
how it would sound to have nine saxophones do the same thing. As he points out, 
Saxophones are the instruments closest to the human voice.’

The Saxophone Choir has performed in the USA and Vieu, Germany and at the North 
Sea Jazz Festival in Holland. Odean says-‘l have but one goal for the Saxophone 
Choir: it should sound like one instrument.’

In 1979. Max Roach again invited Odean to join his quartet. He still tours regularly
with Roach. and has made seven recordings with him including ‘Chattahoochee Red’(
Columbia) and ‘Scott Free’ (Soul Note) and ‘To The Max !’ (Mesa), and has contributed
several pieces to the band’s book.

![Картинки по запросу Odean Pope](https://i0.wp.com/www.post-gazette.com/image/2017/
06/13/1140x_q90_a10-7_cTC_ca9%2C7%2C782%2C780/OdeanPope.jpg?w=640)

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