# Ethel Waters was a key figure in the development of African American culture … Video

- Link: https://jazzblues.eu/2017/10/31/ethel-waters-was-a-key-figure-in-the-development-of-african-american-culture-video/
- Published: 2017-10-31T00:47:08+01:00
- Author: https://JazzBlues.EU

**31.10. – Happy Birthday !!! Vocalist and actress Ethel Waters was a key figure
in the development of African American culture between the two World Wars. She broke
barrier after barrier, becoming the first black woman heard on the radio, the first
black singer to perform on television, the first African American to perform in 
an integrated cast on Broadway, and the first black woman to perform in a lead dramatic
role on Broadway.**

As a singer Waters introduced over 50 songs that became hits, including standards
of the magnitude of “St. Louis Blues” and “Stormy Weather.” Her jazzy yet controlled
vocal style influenced a generation of vocalists, black and white, and her career,
encompassing stage, song, and screen, flowered several times in comebacks after 
tumbling to low points.

Born October 31, 1896, in Chester, Pennsylvania, she had to overcome the squalor
of her sordid childhood and early struggles. Her singing career began with amateur
night performances in Philadelphia, and then slowly moved in the black theater circuit,
where she was billed as “Sweet Mama Stringbean.”

She began recording in 1921 for the Black Swan label, continuing with that company
through 1924. When she introduced “Dinah” at the famous Plantation Club (Broadway
and 50th Street) in New York City in 1925, she met with such success that she was
signed by Columbia Records, for whom she was to make many of her most famous recordings
during the next decade. Her career continued to escalate in such black shows as ‘
Africana,’ ‘The Blackbirds of 1928’ (and 1930) and ‘Rhapsody in Black.’ In 1929,
she made her film debut in the new talking films, singing “Am I Blue?” and “Birmingham
Bertha” in ‘On with the Show,’ remade a few years later as ‘Forty-Second Street.’

In 1933, her sensational rendition of “Stormy Weather” at the Cotton Club made her
the talk of the town; when Irving Berlin heard her sing it, she was signed for his‘
As Thousands Cheer.’ She stopped the show with “Heat Wave” and “Suppertime” and 
was elevated to co-starring status. At the same time, she became the first Negro
to star in a sponsored coast-to-coast radio show, accompanied by the Jimmy Dorsey
orchestra.

Her Broadway career continued its spectacular ascent with the hit shows ‘At Home
Abroad,’ ‘Mamba’s Daughters,’ ‘Cabin in the Sky,’ and ‘Member of the Wedding.’ Later,
she filmed the latter two, appearing also in ‘Gift of Gab,’ ‘Cairo,’ ‘Tales of Manhattan,’‘
Pinky,’ and ‘The Sound and the Fury.’ These films and her numerous recordings remain
a legacy for audiences too young to have been or heard this legendary performer 
at her peak.

Her last years were spent touring with the evangelist Billy Graham, still performing
occasionally, until her death on September 2, 1977, in Chatsworth, California.

Ethel Waters was a great singer because she was a brilliant actress. Waters sold
everything she sang to the audience, making them feel each emotion as if it were
their own. After establishing her singing career, she brought her formidable abilities
to the legitimate theater to the highest critical acclaim. In her best work, she
played characters like herself, who fought hard against a cruel world. In the last
decades of her life, she used the same talents to express her religious devotion.
No matter where she performed, no matter what or whether she sang, she touched people
with the pain, humor, and above all, the dignity of her spirit.

![Картинки по запросу Ethel Waters](https://i0.wp.com/images-na.ssl-images-amazon.
com/images/I/A1Z8oUi%2BWrL._SL1000_.png?w=640&ssl=1)

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