# Diego Urcola: plenty of space to stretch out his trumpet chops as well: Video

- Link: https://jazzblues.eu/2017/11/05/diego-urcola/
- Published: 2017-11-05T00:05:05+01:00
- Author: https://JazzBlues.EU

**05.11. – Happy Birthday !!! Born in Buenos Aires, Argentina, three‑time Grammy
nominee Diego Urcola has been a member of the Paquito D’Rivera Quintet since 1991.
Additionally, the oft‑in‑demand trumpeter performs regularly with the legendary 
saxophonist Jimmy Heath and the Dizzy Gillespie Alumni All‑Star Big Band.**

Urcola’s musical studies began at the age of 9, in the Music Department of the Colegio
Ward where his father Ruben served as director. He continued his studies and in 
1988 he received the title of Profesor Nacional de Música from the Conservatorio
Nacional de Musica. Subsequently, having received a scholarship to study abroad,
the trumpeter and flugelhorn player moved to Boston where he attended the prestigious
Berklee College of Music. In 1990 he received his diploma with an emphasis in Jazz
Performance. Less than a year later, he made the jump to New York where he established
himself as one of the truly gifted and versatile young artists. He has never looked
back. As noted, his affiliation with D’Rivera’s various projects began almost upon
arrival. He also began working with a number of other well‑known artists. In the
mid 1990s he toured with Slide Hampton, the great trombonist and arranger, in a 
group the bandleader referred to as “The Jazz Masters”. Urcola toured extensively
with the United Nations Orchestra under the leadership of D’Rivera after Dizzy Gillespie’s
death. He also spent a short time working with Wynton Marsalis, including performing
with the Lincoln Center Jazz Orchestra at the 1996 Olympic Games in Atlanta. By 
this time, Urcola received calls regularly, and he was starting to lead his own 
bands. Still, he decided to augment appearances with further music education. In
1997, he received his master’s degree in Jazz Performance from Queens College, in
New York, a school whose well‑respected jazz department was anchored by Jimmy Heath.
That same year, Urcola earned second place honors at the 1997 Thelonious Monk International
Jazz Trumpet Competition. Although already a seasoned performer, the honor broadened
awareness of his work.

During the next few years Urcola received key assignments from players a generation
or more older than him. The late saxophonist‑icon, Joe Henderson, invited him to
join his band. So did trombonist Steve Turre who, at the time, was leading a project
he called “Sanctified Shells”, an atypical ensemble centered on the use of conch
shells. Other associations for Urcola at the time included work with the Carnegie
Hall Jazz Band and with Wayne Shorter for a broadcast TV special titled, “The 2nd
Annual Celebration of America’s Music.” The special broadcast, hosted by Bill Cosby,
aired on ABC‑TV in 1998.

Urcola’s exceptional technique served him well. In 1999 the late vibraphonist, Milt
Jackson, formed an all‑star big band, asking him to participate. A year later, the
ever‑adventurous Urcola became a member of the International Vamp Band, a group 
founded by iconoclastic bass player Avishai Cohen. During the following two years
Urcola’s star rose even higher. In 2001, as part of the D’Rivera quintet, he earned
a Latin Grammy; the following year, Urcola, again working with D’Rivera, took part
in the film Calle 54 the acclaimed music documentary. Tours of Europe, The United
States and Latin America followed under the banner of the Calle 54 All‑Star Band.

Urcola, when he’s not busy working with others, often leads his own ensembles. His
first record as a leader, Libertango (Fresh Sound), was issued in 1999. In 2003 
he released Soundances (Sunnyside), which received critical acclaim culminating 
in nominations for the 2004 Latin Grammys and the 2005 Grammy Awards. During this
time he also worked regularly as a member of the Caribbean Jazz Project.

The trumpeter’s third record Viva (Cam Jazz), released in 2006 and nominated for
the 2007 Grammys, marks a key moment in his now full-blown career. The recording
features a core band that would make anyone jealous. Edward Simon, leads a rhythm
section that includes bassist Avishai Cohen and drummer Antonio Sanchez. Pernell
Saturnino adds percussion. Meanwhile, D’Rivera is heard on some cuts as is Dave 
Samuels and Jimmy Heath. The final piece of the puzzle is master trombonist Conrad
Herwig.

On Viva, it has been noted that there exists a sensibility of experimentation that
is vibrant throughout. Meanwhile, Urcola has said that one of his goals is to integrate
his homeland’s voice into the jazz idiom. “I like to bring the tango flavor from
my country into the mix,” he said, adding, “But, foremost I’m a jazz musician.”

2006 is marked by important events. For Funk Tango (the debut release of D’Rivera’s
own record label) Urcola is asked by the master to play the valve trombone in a 
few tracks. This instrument used to be played by Claudio Roditti in the first groups
that Paquito put together when he first arrived in New York City in the early 80’
s. Since then the valve trombone has been an important addition to Urcola’s arsenal
in his own projects, Paquito’s Quintet and also other groups like Guillermo Klein’s
Los Guachos.

In 2010 Urcola records his second project for CAM JAZZ. “Appreciation” features 
a quartet with Luis Perdomo on piano, Hans Glawischnig on bass and Eric McPherson
on drums. This setting allows Urcola to have plenty of space to stretch out his 
trumpet chops as well as nine original compositions dedicated to some of the most
influential musicians in his life.

![Картинки по запросу Diego Urcola](https://i0.wp.com/static01.nyt.com/images/2015/
03/31/arts/31PAQUITO/31PAQUITO-master1050.jpg?w=640&ssl=1)

### _Related_