# Sold-out show at Scala as part of the EFG London Jazz Festival surprised some: Video

- Link: https://jazzblues.eu/2017/11/14/sold-out-show-at-scala-as-part-of-the-efg-london-jazz-festival-surprised-some-video/
- Published: 2017-11-14T20:03:21+01:00
- Author: https://JazzBlues.EU

**“If you have to ask, you don’t know by now,” is perhaps an apt line from a Red
Hot Chili Peppers song when it comes to the LA-duo Knower, whose sold-out show at
Scala as part of the EFG London Jazz Festival surprised some. It’s rumoured that
at a recent meeting of music promoters in New York, only a couple, notably John 
Cumming, had heard of the band. **

Now road-toughened from an extensive touring schedule with the aforementioned Chilis,
the word is out on this furious punk-funk pair’s hyperactive blend of post-ironic
jazz fusion that sounds like the bastard child of Giorgio Moroder and Weather Report–
with the angelic, pitch-perfect vocals of Genevieve Artadi providing a focal point
in the muso melee.

![KNOWER-Scala-Emile-Holba-2](https://i0.wp.com/jazzwisemagazine.com/images/NOV2017/
KNOWER-Scala-Emile-Holba-2.jpg?resize=640%2C409)

Knower are the brainchild of drummer/producer Louis Cole and it’s his sardonic humour
that pervades and punctures any sense of self-importance here. Initially dressed
in a puffy white jacket, black-and-white zebra-pattered leggings and an immoveable
pair of shades, he soon dispenses with the jacket to sit bare-chested at his prominently
placed drum kit. A huge gold chain, with a doughnut attached to it, hung thickly
around his neck, adding to the uncomfortable notion that a brilliant fusion drummer
had come dressed as Vanilla Ice. Of course, none of this is to be taken seriously,
neither is his opening gambit on the mic, “this is going to be fucking awesome”,
which gets a laugh and notches up the excitement levels.

The Scala’s bass-resonant space can create a wall of sub-sonic frequencies and indeed
bassist Sam Wilkes was plundering low-end bombs from the off, grinning up at Cole
as the pair batted polyrhythmic grooves back-and-forth all night. Keyboardist Dennis
Hamm has his own following via his long-running work with fellow LA fusion-funk 
maverick Thundercat (also in attendance tonight). Here his elongated solos explored
the densely clustered harmonies within Knower’s often-intense songs with long-fingered
dexterity. Guitarist Thom Gill proved both exciting fret-shredder and soulful balladeer,
bringing the over-excited crowd to a hushed silence during an unexpected (and unnamed)
voice and guitar solo spot that revealed subtle and sophisticated harmonies and 
some welcome respite from the synth onslaught.

![KNOWER-Scala-Emile-Holba-9](https://i0.wp.com/jazzwisemagazine.com/images/NOV2017/
KNOWER-Scala-Emile-Holba-9.jpg?resize=640%2C462)

That said Knower now have some hits in the form of the poignant ‘Hanging On’ and
the devastatingly effective ‘Overtime’ with its continually descending bass riff
that had the crowd moshing and grinning in equal measure. If musicianship seems 
to have found a new respect, away from punk’s original ‘year zero’ attitude, then
the likes of Knower are poking fun at new forms of pomposity that can sometimes 
be prevalent today. They’re also putting that other ‘F’ word, ‘fun’, (which also
upsets the jazz police) back front and centre in their music. Tonight, the crowd
were in on the joke, to which Knower provided so many killer punchlines.

![](https://i0.wp.com/jazzwisemagazine.com/images/NOV2017/KNOWER1-Scala-Emile-Holba-
5.jpg?w=640)

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