# Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated … Video

- Link: https://jazzblues.eu/2018/03/16/tommy-flanagan-handles-his-world-class-ranking-with-an-equanimity-a-modesty-an-easy-friendliness-not-always-associated-video/
- Published: 2018-03-16T00:04:10+01:00
- Author: https://JazzBlues.EU

**16.03. – Happy Birthday !!! Rarely has such unanimously unstinting praise been
bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off
the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world
class ranking with an equanimity, a modesty, an easy friendliness not always associated
with the psychic burden of being Number One.**

Perhaps because almost instant early recognition by his peers and the universal 
affection in which he has been held by them over the years has made for a warm and
artistically rewarding roost in the jazz jungle for Tommy Flanagan. Or perhaps it
is owing to his wholesome origins, as one of six children of an upwardly striving,
musically enthusiastic family in Detroit.

Whatever, Flanagan made his professional debut in 1945 at age 15, joining forces
with fellow Motor City budding heavyweights Milt Jackson, Thad Jones, Elvin Jones
and Kenny Burrell, playing clubs like the Bluebird, Detroit’s renowned jazz room.
Flanagan hit New York in 1956, his first gig being a sub job at Birdland for Bud
Powell, whom he recalls as a major influence on his own early development, along
with Art Tatum and Nat Cole. Flanagan’s own gifts were so readily apparent, in short
order he was tapped for recording dates with such jazz icons as Sonny Rollins, John
Coltrane, Charles Mingus and Miles Davis.

In 1957 Flanagan made his first trio album, “Tommy Flanagan Overseas,” with Elvin
Jones and Wilbur Little, which has been reissued many times and is now a collectors’
item. He made more than 100 recordings from 1956 through 1968, many of which have
become essential to any serious jazz record library.

From 1968 to 1978, Flanagan toured extensively with Ella Fitzgerald. During that
time his recently reissued trio album, “Montreux 77,” was recorded. It was with 
Ella Fitzgerald that he earned his stripes as a jazz’s supreme accompanist, a designation
widely acknowledged throughout the industry.

In 1978, in a momentous departure, Flanagan formed his own trio and has since performed
almost exclusively in that format. His recording career has since flowered with 
15 universally admired albums as a soloist or leading his trio. Over the years the
Tommy Flanagan Trio has boasted such significant drummers as Elvin Jones, Al Foster
and Art Taylor. He has also employed such gifted younger drummers as Kenny Washington
and more recently Lewis Nash. Since launching his trio, the bassist Flanagan has
used most notably has been George Mraz, the Czech virtuoso. Mraz’s ability to follow
Flanagan’s abundantly creative, ever surprising trail is impressive.

Flanagan has had four Grammy nominations, two for Best Jazz Performance (Group) 
and two for Best Jazz Performance (Soloist).

He was voted Top Jazz Pianist in DownBeat’s most recent Readers’ Poll as well as
winning Jazz Times’ both Critics’ and Readers’ Poll.

Tommy Flanagan’s lyrical style, at once tough, tender, and bouncing with jaunty 
humor, expresses a beautifully polished and melodic side of bebop. It has steadily
grown in distinction and maturity, and through it all, it swings.

![Image result for Tommy Flanagan jazz](https://i0.wp.com/jimbrittphoto.com/wordpress/
wp-content/uploads/2015/01/Tommy-Flanagan-B.jpg?w=640)

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