# Arve Henriksen – The trumpet has vast potential for tone and sound variations that we still have not heard: Video

- Link: https://jazzblues.eu/2018/03/22/arve-henriksen-the-trumpet-has-vast-potential-for-tone-and-sound-variations-that-we-still-have-not-heard-video/
- Published: 2018-03-22T00:04:42+01:00
- Author: https://JazzBlues.EU

**Born in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991,
and has worked as a freelance musician since 1989.**

He has worked with many musicians familiar to ECM listeners, including Jon Balke(
with whose Magnetic North Orchestra he has played extensively), Anders Jormin, Edward
Vesala, Jon Christensen, Marilyn Mazur, Audun Kleive, Nils Petter Molvær, Misha 
Alperin, Arkady Shilkloper, Arild Andersen, Stian Carstensen, Dhafer Youssef, Hope
Sanduval, the Cikada String Quartet, The Source and more. He has played in a wide
spectre of contexts, ranging from working with koto player Satsuki Odamura, to the
rock band Motorpsycho via numerous free improvising groups with Ernst Reisiger, 
Sten Sandell, Peter Friis-Nilsen, Terje Isungset, Marc Ducret ,Karl Seglem et cetera.
Today he is working with Supersilent, Christian Wallumrød Ensemble and Trygve Seim
Ensemble.

He has composed music (commission) to Bale Jazz, Vossa Jazz, “My own private furry”(
dance performance) and to “FRED” (theatre performance). He was «artist in residence»
at Moers Jazzfestival 2006 and he has been a part of the European Jazz Launch project
2004-2006.

Arve says: “An interest in sound-making was there from the beginning of my work 
with the trumpet. I have spent many hours on developing a warm sound, for instance,
but not only that. In my opinion, the trumpet has vast potential for tone and sound
variations that we still have not heard. At one point, I think it was in 1988, Nils
Petter Molvær lent me a cassette of shakuhachi flute playing. Then things changed.”

Arve Henriksen began collecting recordings of Japanese music, with koto, biwa, shakuhachi
and other instruments: “I let the music ‘ring’ and develop in my head. I was astonished
by the sound of this flute…” The shakuhachi’s roots in the tradition of Zen Buddhism
fascinated the trumpeter, as did its “meditative and minimalistic expressive quality.“
This has made me work with tone and sound making in a new direction.”

But his interest doesn’t stop with this. He has been inspired by all sorts of folk
music, also the Norwegian. He is now interested to work with more contemporary and
composed music. He has also spent time on electronics and different treatments on
the trumpet. And during the last years has also been focusing on his singing.

![Image result for Arve Henriksen](https://i0.wp.com/i.ytimg.com/vi/6A8nDaVzglM/
maxresdefault.jpg?w=640&ssl=1)

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