# CD review: William Parker – In Order to Survive 2019: Video, CD cover

- Link: https://jazzblues.eu/2019/07/07/cd-review-william-parker-in-order-to-survive-2019-video-cd-cover/
- Published: 2019-07-07T10:33:56+01:00
- Author: https://JazzBlues.EU

**William Parker’s work on record was the subject of an 8-page “Primer” in the May
2019 issue of The Wire, in a rare occasion of that feature focusing on one artist.**

“Over the course of his long and unwavering career as a composer, bandleader, bassist,
and event organizer, Parker has produced a catalog of compositions and a legacy 
of performances distinguished both by their free-thinking, often radical sense of
adventure and by their elemental dedication to beauty and human feeling. More extraordinary,
perhaps, Parker appears to be in the midst of a late-career blossoming; he is making(
some of) his heftiest music yet, work that reaffirms the imaginative prowess that
has made him a stalwart force since the 1970s.” – The Nation

“Stunning new music from one of the master bassist’s greatest bands. Steeped in 
melody and groove, this is some of Parker’s most accessible music, with the musicians
improvising around open structures with telepathic acuity.” – The Quietus

An exemplary new double-album from one of master bassist-composer-improviser William
Parker’s flagship groups, recorded live & presenting all-new compositions, including
the extended suite “Eternal Is The Voice Of Love” and “Newark” (dedicated to early
group member, trombonist Grachan Moncur III), along with a new iteration of the 
band’s theme. Featuring pianist Cooper-Moore, alto saxophonist Rob Brown and drummer
Hamid Drake, In Order To Survive is one of the great jazz groups of the past quarter
century.

Launched in 1993, In Order To Survive was Parker’s first fully dedicated small group.
It has always featured Cooper-Moore & Rob Brown, together with a series of drummers(
including Denis Charles, and then Susie Ibarra) and occasional additional brass/
reeds. A top live draw in New York during the heights of that heady decade, they
made momentous visits to Europe as well. This initial phase culminated on record
with their first double-live set, The Peach Orchard, an era-defining work released
by AUM Fidelity in 1998.

The dawn of the new century saw the launch of a new William Parker Quartet, featuring
Brown, trumpeter Lewis Barnes and drummer Hamid Drake. The impeccable albums O’Neal’s
Porch, Sound Unity, Corn Meal Dance and Petit Oiseau were all created during that
first decade.

In Order To Survive reconvened at the 2012 Vision Festival on occasion of AUM Fidelity’s
15th Anniversary celebrations. That set of new work was released as part of the 
Wood Flute Songs box set, hailed as a 5-Star Masterpiece by DownBeat, and as the#
1 Archival Release of the Year by The Wire.

In October 2016, IOTS entered the studio for the first time since the Compassion
Seizes Bed-Stuy session of 1995. This work was presented as half of the exquisite
double-album, Meditation/Resurrection, released in July 2017. Two nights were booked
at ShapeShifter Lab in Brooklyn to celebrate its release. “A mid-summer guided self-
illumination” was promised on the handbill for these concerts. Live/Shapeshifter
presents both sets of night two. Beyond expressing the obvious, the album title 
states the shamanistic nature of the work at hand.

**Features: Rob Brown (alto saxophone), Cooper-Moore (piano), and Hamid Drake (drums)**

![](https://i1.wp.com/mediad.publicbroadcasting.net/p/wbgo/files/styles/large/public/
201906/a2610073716_16.jpg?zoom=1.25&w=660&ssl=1)

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