# CD review: Daymé Arocena – Sonocardiogram 2019: Videos, CD cover

- Link: https://jazzblues.eu/2019/07/17/cd-review-dayme-arocena-sonocardiogram-2019-videos-cd-cover/
- Published: 2019-07-17T13:35:26+01:00
- Author: https://JazzBlues.EU

Backed once again by a killer band of fellow Cuban musicians, the visionary singer,
composer and songwriter has stripped everything back to the core. Holding sessions
in a simple, repurposed artist’s studio in Havana, Daymé and her band produced the
record themselves, with her taking the reins to make _Sonocardiogram_ her most raw
and arresting outing yet.

An important voice in Latin music, Daymé has collaborated with influential Cuban
peers, like Chucho Valdés and Pedrito Martinez, and US heavyweights like Dexter 
Story and Miguel Atwood-Ferguson. From a recent appearance at Primavera Festival,
to sold out tours across Japan and the US, her spectacular live show continues to
draw crowds around the world. She’s been featured in _The New Yorker_, as part of
a feature on “A New Vanguard of Women in Cuban Jazz,” been profiled in _gal-dem’s_
second print edition, and featured as the cover star of _Boat Magazine_. Her last
album, Cubafonía, was lauded by _Pitchfork_, _The Sunday Times_, _The Guardian_ 
and _MOJO_, amongst others. She’s performed on _Boiler Room_, on NPR’s iconic Tiny
Desk Concert, and been supported on the radio by Mary Ann Hobbes on BBC 6 Music,
Jamie Cullum on BBC Radio 2, and Toddla T on BBC 1xtra.

The title is a reference to an echocardiogram, a heart scan; she wanted to mimic
that medical procedure with her music. “We wanted to create something that was a
snapshot of who we are inside,” she says. “We wanted it to capture our personality,
our world, how we hear the music.” Recording the album outside a traditional studio,
ambient noise from outside filtered into the sound of the record, and cats and dogs
would pass in and out of the space. The less conventional environment was a means
to getting closer to the core of what they do musically.

A jazz record bedded in Afro-Cuban rhythms, Daymé draws on the island’s intertwined
rituals of family, music and religion. Nodding to Cuban greats like La Lupe, those
inspirations carry the sound of Cuba’s sun-baked, vibrant daily existence. On “Homenaje”(
which translates as “Homage”), she pieces together a collage of musical touchstones
that pays tribute to some of her musical reference points: Emiliano Salvador, Lilí
Martinez, Arsenio Rodriguez and Merceditas Valdés.

Elsewhere, odes to Santería deities are underscored by the sacred frequencies of
the batá drum, and in the “Trilogía” suite — the tracks “Oyá,” “Oshún,” and “Yemayá”—
they called on extra drummer, **José Carlos Sánchez**, to play on a Western drum
kit. As Daymé explains, “For the ‘Trilogía’ we wanted to translate the language 
of the batá to the trap set so we called on another drummer to recreate and update
the dialogue between the three drums.”

Over the second half of the album, she tackles her experiences of love. The five
track suite “Cinco maneras de amar” sees her survey her experience of romance, looking
back from her current vantage point of being recently married. From the flourishes
of lovelorn excitement to brushes with rejection, she builds to the positive note
of suite closer “Not For Me,” where she sings, “Living with sadness forever is not
for me.” As she explains, “I’m about to get married to my best friend. So no, I’m
not suffering. I’ve learned my lessons. I’m singing to my man and telling him ‘I
don’t want to suffer anymore, I know who I need and who I need is you.’”

_Sonocardiogram_ is an honest, spare picture of where Daymé stands both musically
and personally. “What I hope is that the listeners feel that love of life, that 
embracing life and wanting to succeed — but not succeeding in the banal terms of
making some money or being famous,” she says. “I’m talking about being happy by 
being who we are, doing what we love, and staying open to whatever may come.”

**Tracklist: **1. Nangareo; 2. Oyá; 3. Oshún; 4. Yemayá; 5. Interludio; 6. Porque
tú no estás; 7. Para el amor: Cantar!; 8. As Feridas; 9. Menuet para un corazón;
10. Not for Me; 11. Plegaria a La Lupe; 12. Homenaje “Trilogía” suite: tracks 2 –
4 “Cinco maneras de amor” suite: tracks 6 – 10 “A difuntos presente” suite: tracks
11 – 12

**Musicians: **Vocals and Backing Vocals: Daymé Arocena; Piano, Keys, Vocoder and
Backing; Vocals: Jorge Luis Lagarza Pérez; Bass: Rafael Aldama Chiroles; Drums: 
Marcos Morales Valdés (2,3,4,6,7,8,9); Drums: José Carlos Sánchez (2,3,4,10,11,12)

![Image result for Daymé Arocena Sonocardiogram](https://i0.wp.com/f4.bcbits.com/
img/0016817576_10.jpg?w=640&ssl=1)

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