# The final recording by pianist Ellis Marsalis, For All We Know: Videos, Photos

- Link: https://jazzblues.eu/2020/11/13/the-final-recording-by-pianist-ellis-marsalis-for-all-we-know-videos-photos/
- Published: 2020-11-13T20:20:10+01:00
- Author: https://JazzBlues.EU

**Ellis Marsalis was in fine spirits, relaxed and ready, as he settled in behind
the Steinway B at Esplanade Studios earlier this year.**

Joined on vibr8155aphone by his son Jason, he was making an album for Newvelle Records,
the audiophile vinyl-only label, as part of a special series called The New Orleans
Collection. The sessions took place on Feb. 17 and 18, three weeks before the first
reported case of COVID-19 in New Orleans. By April 1, the coronavirus had claimed
the life of Ellis, at 85.

_For All We Know, _the album that Ellis and Jason Marsalis made for Newvelle, now
stands as the capstone to a legendary jazz career, though the easy rapport between
father and son also give it the air of a conversation around the table.

WBGO is proud to premiere a video from the sessions: a sauntering take on “Orchid
Blue,” an Ellis original that Jason had [previously recorded](https://youtu.be/5ZSRphr90iE)
with him (on drums) for the 1998 Columbia album _Twelve’s It. _It’s the closing 
track on _For All We Know._

Like the other albums in The New Orleans Collection — new efforts by living legends
Irma Thomas, Jon Cleary and Little Freddie King — _For All We Know _was produced
by Ben Chace. Among its executive producers is pianist Elan Mehler, a founder of
Newvelle, who remembers the Marsalis sessions fondly.

“Ellis would wander over to the piano and play some tracks solo as engineers were
still moving through the hall,” Mehler tells …, “and we’d quietly try to freeze 
everyone in place and catch what he was doing. He’d meander through improvisations
that would turn into medleys of standards and old folk tunes. Then Jason would come
down from the control booth and they’d dig into some of Ellis’ trickiest compositions
from the ‘60s. He seemed to be able to effortlessly make the transition.”

[[

Along with “Orchid Blue” and the title track, played as an exquisite solo piano 
piece, the album features Marsalis’ vintage tune “Magnolia Triangle” and an interpretation
of the spiritual “Nobody Knows the Trouble I’ve Seen.” On one track, “Discipline
Meets The Family,” Jason’s daughter Marley joins on additional mallet percussion
and piano, briefly turning the session into a three-generation affair.

Ellis Marsalis is remembered, of course, as one of jazz’s most famous patriarchs.
In addition to Jason, his sons include Branford, Delfeayo and Wynton — who, speaking
on _Anderson Cooper 360°_, [remembered his father](https://vimeo.com/416275253) 
as “pure consciousness. He was purely about the music. He loved people and humanity
and he had a very broad vision of the world.”

Two years ago, Wynton posted footage of his quintet, featuring Ellis and Branford,
rehearsing “Orchid Blue” for the Jazz in Marciac festival.

In comments recorded by Mehler for Newvelle the day before the recording session,
Ellis Marsalis recalled the frontier era of modern jazz in New Orleans, when gigs
in that vein were few and far between. “We would sometimes play at each other’s 
house and work on some songs that were original, that we were writing,” he said.“
In a way, as musicians, it sort of reminded me of sandlot football. You do it because
it’s communal.”

![](https://i0.wp.com/www.wbgo.org/sites/wbgo/files/styles/medium/public/202011/
ellis_marsalis_newvelle.jpg?w=640&ssl=1)

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