# CD review: Pat Metheny – Road To The Sun 2021: Video, CD cover

- Link: https://jazzblues.eu/2021/03/06/cd-review-pat-metheny-road-to-the-sun-2021-video-cd-cover/
- Published: 2021-03-06T00:20:50+01:00
- Author: https://JazzBlues.EU

**The first thing to know about this album is that it’s classical guitar and, apart
from strumming on two tracks, Pat Metheny plays on only the final track – and that’s
not even his own composition but Arvo Pärt’s Für Alina.**

But keep an open mind and open ears, because on this album you’ll hear some of the
world’s finest classical guitarists playing new Metheny compositions of great beauty
and virtuosity.

First off is Four Paths of Light, a four-part suite for solo guitar. It’s a credit
to Metheny’s versatility that it’s often hard to recognise him as the composer, 
some highly arpeggiated passages played in strict tempo suggestive of classical 
etudes, and Part 4 a piece in 3/4 time with a strong flamenco flavour; but inevitably
Metheny’s distinctive lyricism and personality shine through, particularly in Part
2.

If anyone’s going to play this suite, Jason Vieaux is the perfect choice. He gained
international attention in 1992 aged only nineteen by becoming the youngest ever
winner of the prestigious Guitar Foundation of America’s International Guitar Competition;
and further cemented his reputation when his 2014 album Play won a Grammy for best
classical instrumental solo. His tastes have the breadth needed to do justice to
new, genre-defying work, his recordings spanning the more obvious classical guitar
repertoire (such as Fernando Sor and Agustín Barrios Mangoré, and transcriptions
of JS Bach and Isaac Albéniz) to Astor Piazzolla to more contemporary classical 
composers such as Aaron Jay Kernis.

But most revealing of all is Vieaux’s 2005 album Images of Metheny, a set of Metheny
originals arranged for solo guitar of which the centrepiece is 5 Songs in the Form
of a Baroque Suite that does what it says: take five Metheny compositions and perform
them as if they were baroque compositions, to beautiful effect. And as well as an
obvious love for Metheny’s compositions, Vieaux has a well-matched playing style
of meticulous clarity combined with lush romanticism.

Metheny’s also found the perfect performers for Road to the Sun, a six-part suite
for four guitars that follows Paths of Light. The Los Angeles Guitar Quartet comprises
John Dearman, William Kanengiser, Scott Tennant and Matthew Greif who, like Vieaux,
perform across many genres, from Bach to bluegrass to rock. LAGQ’s classical crossover
album Guitar Heroes (2005) won a Grammy and included compositions by composers as
diverse as Steve Howe of Yes fame, Chet Atkins and (are we seeing a pattern here?)
Pat Metheny.

As with Four Paths of Light, the parts of Road to the Sun show great compositional
complexity and a wide variety of moods, from the baroque feel of Part 1 to quiet
nocturnal musings in Part 3 to the special effects that conclude Part 4: slithery
glissandi that sound like the players running their nails along the strings, dry
percussive strums on muted strings, and high-pitched tinkling that I suspect is 
picking the strings between the nut and tuning pegs. Part 2 and Part 5 sound like
vintage Pat Metheny, concluding with sections that could almost be the Pat Metheny
Group unplugged – perhaps because they’re the only two parts on which Metheny performs,
raising the question of how much a musician’s sound derives from their compositions
and how much from their playing style.

We certainly get Metheny’s playing style on the concluding piece, a reinterpretation
of Arvo Pärt’s solo piano composition Für Alina. Metheny plays it on his famous 
custom-made 42-string Pikasso [sic] guitar, so named because its three curiously
arranged necks and two sound holes make it look like a cubist interpretation of 
a guitar. Its sound is incredible, from deep resonant bass notes to bright ringing
tones reminiscent of a zither – and Metheny beautifully captures the ethereal melancholy
of the original.

For Metheny lovers or anyone interested in classical guitar, this album’s a must.
And for anyone not yet familiar with classical guitar, this stunning album could
well be their gateway drug to a whole new universe of wonders.

 1.  Pat Metheny: Four Paths of Light, Pt. 1 (04:14)
 2.  Pat Metheny: Four Paths of Light, Pt. 2 (06:21)
 3.  Pat Metheny: Four Paths of Light, Pt. 3 (05:30)
 4.  Pat Metheny: Four Paths of Light, Pt. 4 (03:10)
 5.  Pat Metheny: Road to the Sun, Pt. 1 (04:22)
 6.  Pat Metheny: Road to the Sun, Pt. 2 (06:45)
 7.  Pat Metheny: Road to the Sun, Pt. 3 (03:29)
 8.  Pat Metheny: Road to the Sun, Pt. 4 (04:05)
 9.  Pat Metheny: Road to the Sun, Pt. 5 (06:44)
 10. Pat Metheny: Road to the Sun, Pt. 6 (03:23)
 11. Pat Metheny – Arvo Pärt: Für Alina (arr. Pat Metheny for 42 string guitar) (08:
     30)

![Pat Metheny – 'Road to the Sun' – News, reviews, features and comment from  the
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