# A North Texas native’s new album meditates on racism, violence, while paying homage to jazz greats: Photos, Video

- Link: https://jazzblues.eu/2021/05/23/a-north-texas-natives-new-album-meditates-on-racism-violence-while-paying-homage-to-jazz-greats-photos-video/
- Published: 2021-05-23T20:45:58+01:00
- Author: https://JazzBlues.EU

**Aaron Myers, who grew up outside Corsicana, addresses Black life in America on
his latest effort, ‘The Pride Album.’ When Aaron Myers was growing up in Goodlow,
Texas, a small town near Corsicana, his grandparents would talk about going to “
the meeting.” They were referring to church, which was a vital part of their community.**

Good grades were announced at church, as were feats on the football field. And it
was for Mount B Zion Baptist Church that Myers began writing songs, and playing 
the piano in public.

Now 37, Myers created _The Pride Album_ to emulate the experience of “the meeting.”
Released last month, the jazz album features Myers on vocals and piano, with Samuel
Prather also on piano, Herb Scott on saxophone, Kris Funn on bass, Stephen Arnold
on guitar and Dana Hawkins on drums.

![Jazz pianist and vocalist Aaron Myers created 'The Pride Album' to emulate the
experience of going to “the meeting." That is how his grandparents referred to attending
church. ](https://i0.wp.com/dmn-dallas-news-prod.cdn.arcpublishing.com/resizer/CxYnByFw_JvqL8z7__1ooSx6zGQ%
3D/930x0/smart/filters%3Ano_upscale%28%29/cloudfront-us-east-1.images.arcpublishing.
com/dmn/XQ5PBKGNCVGY7OZ7AURUEBXW4Y.jpeg?resize=640%2C640&ssl=1)

Jazz pianist and vocalist Aaron Myers created ‘The Pride Album’ to emulate the experience
of going to “the meeting.” That is how his grandparents referred to attending church.(
Kris Funn)

The work also exists as a film that includes footage of the performers playing in
the recording studio, spoken commentary from Myers between pieces and videos from
Black Lives Matter protests accompanied by music from the album.

The first track, “Make Them Hear You,” from the Broadway musical _Ragtime_, serves
as a call to gather, Myers says. In the subsequent rendition of the spiritual_ _“
Lay Down My Burdens,” Myers follows an African tradition, he says, requesting permission
from his ancestors to speak.

The album then moves to its most powerful number, “New Jim Crow,”_ _which takes 
its title from an influential book about the current effects of mass incarceration
in America. In the first section of the song, the singer alternates between scatting
in unison with the bass and saxophone and recounting a story about being pulled 
over by a police officer.

When the singer tells of reaching beside his seat, to grab his driver’s license,
the music spirals into cacophony, with squeals in the saxophone, siren noises, drums
pounding and cymbals crashing. After extended solos in the piano and sax, the vocalist
reenters, wondering why blood is running down his side, and whether this is the 
way he’ll die. The work ends with all the musicians shouting, “It’s the New Jim 
Crow.”

Myers feels “an angst” when driving anywhere near a police car. “To know that that
scenario can go awry so quickly, it’s the most frightening thing,” he says. “I’m
hoping that the music … can speak and perhaps penetrate through color … so people
can possibly understand the chaos in those particular moments.”

Myers can’t remember life without music. That’s probably because he started playing
the piano when he was three.

His introduction to jazz came from a recording of Louis Armstrong’s 1925 “Gut Bucket
Blues” from his grandparents’ record collection. Later, when Myers was in high school,
his mom gave him a cassette tape featuring Herbie Hancock. Myers says it was mind-
blowing: “I almost literally passed out.”

At Navarro College in Corsicana, Myers completed majors in business and theater.
In 2003, while in college, he decided to run for mayor. He was 20 years old.

Though Myers lost the election, his bid marked the beginning of his active engagement
in politics.

Myers took private piano lessons for a decade, but hasn’t had a formal jazz education.
Instead, he’s honed his talent by performing. “Ella Fitzgerald, Joe Williams, all
those people you study in college, they learned the music the same way I’m learning
the music now,” Myers says.­­­

These days, he lives in D.C., where he works as a musician and activist. An organizer
of the D.C. Jazz Lobby, Myers pushes for increased performance opportunities for
jazz musicians in the capital by working with government officials.

In addition to its ancestral connections, Myers’ _Pride Album_ reaches back to different
musical legacies — whether in a take on the Jazz Messengers staple “Moanin’,” a 
quote from “Somewhere Over the Rainbow”_ _or a tribute to Chick Corea’s “Spain.”“
I had to pay respects to my musical influences,” Myers says.

!["I had to pay respects to my musical influences," Myers says of the songs on the
album.](https://i0.wp.com/dmn-dallas-news-prod.cdn.arcpublishing.com/resizer/0KvQA1yzvsWA-
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“I had to pay respects to my musical influences,” Myers says of the songs on the
album.

And yet, the songs bear his own mark. In “Moanin’,” he adds references to the Proud
Boys, the Jan. 6 insurrection at the Capitol and several Black Americans who were
killed by the police or died in police custody. These include Craig Thomas, who 
died in 1993 in Corsicana at the hands of police after being stopped for a traffic
violation. When audiences hear “Moanin’,” Myers says, he wants them to understand
not why his forbearers moaned, but why he still has reasons to moan today.

![Jazz pianist and vocalist Aaron Myers, who is originally from Goodlow, Texas, 
appears in the video version of "The Pride Album," released last month.](https://
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com/dmn/LWQBXYSQLBE6LDW4VKCKVTGG2U.png?w=640&ssl=1)

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