# Simon Emmerson: Founder of the bands Afro Celt Sound System and the Imagined Village, who produced albums by Manu Dibango and Baaba Maal: Video, Photos

- Link: https://jazzblues.eu/2023/04/03/simon-emmerson-founder-of-the-bands-afro-celt-sound-system-and-the-imagined-village-who-produced-albums-by-manu-dibango-and-baaba-maal-video-photos/
- Published: 2023-04-03T00:02:34+01:00
- Author: https://JazzBlues.EU

**The summer of 2022 was a brave and remarkable period for Simon Emmerson, who enlivened
the English festival scene by appearing with two celebrated bands, both of which
he had co-founded.**

There were performances by Afro Celt Sound System, joyous veterans of global fusion
music, in which electronica is matched against African instruments, the balafon 
and kora, played by a griot, N’Faly Kouyaté and the pounding Asian dhol drumming
of Johnny Kalsi. And there were appearances with the Imagined Village, a band that
set out to update traditional English music for a multicultural nation, in which
Simon played cittern, joined by a cast that included the sitar player Sheema Mukherjee,
singer-songwriter Billy Bragg, and folk stars Martin Carthy, Eliza Carthy and Jackie
Oates. He was on impressive form, although he had recently finished a course of 
chemotherapy.

Emmerson had his greatest success with the two bands with whom he made his final
appearances. He first had the idea for the Afro Celt Sound System when he was recording
in Senegal and noticed the similarities between a West African melody and an Irish
air. In 1995 he brought a group of African and Irish traditional musicians together
at Peter Gabriel’s Real World studios in Wiltshire. They included the Irish singer
Iarla Ó Lionáird and piper Davy Spillane, along with Massamba Diop, the talking 
drum virtuoso in the band led by the Senegalese musician baaba Maal. Simon played
guitar, added drum and keyboard programming, and produced the resulting album. Sound
Magic (1996) was a brave, rousing and unexpected success.

![Simon Emmerson in 2016.](https://i0.wp.com/i.guim.co.uk/img/media/baffd1813b62c8bc74301d69090f8e2996df30e3/
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Simon Emmerson in 2016. Photograph: Judith Burrows/Getty Images

The band went on to become festival and concert hall favourites. After appearing
at Womadelaide (the Womad festival in Adelaide) that year, Simon said “those first
Australian gigs were the point where we realised the band had very global appeal”.

The lineup changed constantly, with appearances from Sinéad O’Connor on Release (
1999) and Robert Plant and Peter Gabriel on Further in Time (2001), both of which
won Grammy nominations. After Anatomic (2005) they took a lengthy break from recording,
lengthened by a split between founder members of the band. On their 2016 album The
Source, the lineup included the Scottish singer piper and rapper Griogair Labhruidh,
and there was now less emphasis on electronica. Flight (2018) included a Gaelic 
lament and an African mass performed by a children’s choir along with the exuberant
drumming and beats. The latest album, Ova, has been finished but is yet to be released.

The Imagined Village was a result of Simon being urged to “explore my own roots 
as a musician” by Baaba Maal, the Clash singer Joe Strummer and the journalist Ian
Anderson. Bragg says he discussed “Englishness, politics and birds” with Simon as
they walked their dogs together, and Bragg was in the lineup alongside the dub poet
Benjamin Zephaniah when the Imagined Village made their debut appearance at the 
2007 Womad festival. Their first album, The Imagined Village, was an adventurous
if uneven affair, but they became an impressive touring band, appearing on BBC TV’s
Later … With Jools Holland, playing a stomping, dhol drum-backed version of the 
traditional Cold Haily Rainy Night, a song that won best traditional track at the
2008 BBC Folk Awards.

Their second album, Empire and Love (2010), was a massive improvement, with Martin
Carthy updating an anti-war song from the Napoleonic wars for the era of Afghanistan
and Iraq conflicts, with sitar backing from Mukherjee. After their third album Bending
the Dark (2012), the band was put on hold, but recorded a (socially distanced) version
of Quiet Joys of Brotherhood during lockdown before their triumphant live return
last summer.

Simon was born in London, the son of Alan Emmerson, an architect who had also worked
as manager for the rock band Screw, and his wife, Mercia (nee Samson), a sociology
lecturer, both members of the Communist party. He attended Ibstock Place primary
school and then Wandsworth comprehensive. He attended Forest School Camps, in which
his father was heavily involved, and there he developed his love of folk song, nature
and bird watching.

![Afro Celt Sound System before their performance at the Celtic Connections festival,
Glasgow, in 2016: from left, Simon Emmerson, N’Faly Kouyate, Griogair Labhruidh 
and Johnny Kalsi.](https://i0.wp.com/i.guim.co.uk/img/media/2dc7fb109ff447d82677f8a9080e46afdd71aa1a/
0_0_2720_4080/master/2720.jpg?resize=640%2C961&ssl=1)

Afro Celt Sound System before their performance at the Celtic Connections festival,
Glasgow, in 2016: from left, Simon Emmerson, N’Faly Kouyaté, Griogair Labhruidh 
and Johnny Kalsi. Photograph: Judith Burrows/Getty Images

He went to Lancaster University, where he was awarded a first in sociology, psychology
and philosophy, and then Canterbury, where he studied for a PhD in sociology and
philosophy while becoming increasingly involved in music. He played in the punk 
bands Methodishca Tune and Stepping Talk, and briefly with Scritti Politti, after
meeting the band’s leader Green Gartside at a Martin Carthy concert. At the time
he was living in a squat in Camden Town, working at Mole Jazz Records and listening
to Miles Davis and Stan Getz.

He was still receiving a student grant when he co-founded the jazz-influenced Weekend,
so decided to change his professional name. As Simon Booth he played guitar on Weekend’s
La Varieté (1982), on which Alison Statton’s bossa-influenced vocals were matched
against jazz players including Annie Whitehead on trombone and Larry Stabbins on
saxophone. Live at Ronnie Scott’s (1983) featured the jazz pianist Keith Tippett.

Along with Stabbins (and still credited as Booth) he co-founded Working Week, bringing
funk and soul into the mix. Their first release Venceremos (1984) was a rousing 
political track featuring Tracey Thorn and Robert Wyatt on vocals. The singer Julie
Roberts joined the band for their album Working Nights (1985), which included a 
jazz reworking of Marvin Gaye’s classic Inner City Blues. Four albums followed before
they split in 1991.

Apart from work with his own bands, Simon’s many production credits included albums
for Manu Dibango from Cameroon (Polysonic 1990), Tarika from Madagascar (Son Egal,
1997) and Baaba Maal – he was nominated for a Grammy for Maal’s Firin’ in Fouta (
1995). His UK production work included albums for Show of Hands (Witness, 2006) 
and Spiro (Lightbox, 2009).

Simon co-founded his own record label after a meeting with Mark Constantine, the
CEO of the cosmetics firm Lush, who shared his passion for bird-watching. ECC Records(
which stood for Emmerson Corncrake Constantine) released albums by both the Afro
Celts and Imagined Village. Simon also produced ambient “spa music” sets for Lush,
which included samples of birdsong. In 2022 he produced another birdsong fusion 
to help promote the RSPB’s Big Garden Birdwatch scheme.

He became fascinated by druidry after “an epiphany” while working in Senegal, and
after studying under the writer Philip Carr-Gomm was made an honorary bard.

He is survived by his partner Karen Murphy and their children, Ted and Josie, and
by his mother and his brother, Paul.

 Simon Daniel Emmerson, musician, composer, bandleader and DJ, born 12 March 1956;
died 13 March 2023.

![Simon Emmerson, centre, performing with Moussa Sissokho and N'Faly Kouyate of 
Afro Celt Sound System at the Glastonbury festival in 1999.](https://i0.wp.com/i.
guim.co.uk/img/media/df4a83bb108d6497d14d065d4ea68915f76f7b46/0_231_5013_3008/master/
5013.jpg?resize=640%2C384&ssl=1)

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