# CD review: Chris Potter – Eagle’s Point – featuring Brad Mehldau, John Patitucci, Brian Blade – 2024: Video, CD cover

- Link: https://jazzblues.eu/2024/01/14/cd-review-chris-potter-eagles-point-featuring-brad-mehldau-john-patitucci-brian-blade-2024/
- Published: 2024-01-14T00:06:26+01:00
- Author: https://JazzBlues.EU

**Chris Potter announces the upcoming release of his new album, Eagle’s Point. Featuring
a modern day supergroup of supergroups including Brad Mehldau, John Patitucci and
Brian Blade, the new record will be released on Edition Records in Spring 2024.**

‘Eagle’s Point’ promises to be an electrifying testament to modern jazz, uniting
four unparalleled luminaries within the genre, performing eight original compositions
written by Chris especially for the recording session. The planets finally aligned;
despite never having the time to perform together, this supergroup seized the opportunity
in late 2022 and assembled to record this landmark album.

It’s a year no one will forget, a year in which the global lockdown was shared by
all, and yet experienced in a million different ways.

For Chris Potter, a musician who has been on the road continuously since the 1990s,
whose raison d’etre is playing live, lockdown presented both a challenge and an 
opportunity. It’s a tribute to his creativity, personal integrity and huge musical
talent that Chris was able to take on this challenge and make something unbelievably
fresh from the opportunity.

Starting in May 2020, as the Black Lives Matter movement was kicking off (reflected
in the track ‘I Had A Dream’), Chris set out to create something alone, to express
his reaction to these chaotic times. Uniquely, playing each and every instrument:
piano, keyboards, electric and acoustic guitars, bass guitar, drums, clarinet, bass
clarinet, flute, alto flute, percussion, samples and of course saxophones, Chris
took just six weeks to complete the whole process.

![](https://i0.wp.com/images.squarespace-cdn.com/content/v1/5c384e95620b8561cd6e61ad/
b50b8e61-2249-4b47-a48c-434fabf03c13/Chris-Quartet-%28credit--Dave-Stapleton%29-
8125_small.jpg?w=640&ssl=1)

Chris talks through his process: Recording an album like this for the first time
required Chris to think about the process of writing, recording and producing in
a completely new way. As Chris explains:

‘This project grew out of a wish to continue creating at a time when most of the
usual channels of musical expression were unavailable. I offer it as a musical perspective
on the issues we are facing: the importance of community at a time of physical distance,
the need for strong leadership, the necessity of supporting vulnerable members of
society who have always gotten the short end of the stick, the troubled relationship
we have with the natural world, and the difficulty of dealing with all the fear 
and uncertainty we face. My hope is that this extremely difficult period will also
have positive effects, leading us to focus on the true value of things. Of course
part of the beauty of instrumental music is how its meaning is defined by the listener,
but these are some of the thoughts I had while creating it.

On a technical level, making this recording required the use of many different skills,
I’ve never been so acutely aware of my limitations. In addition to the difficulty
of trying to get good performances on every instrument, there was the challenge 
of recording without a proper studio. Most importantly, there was the necessity 
of letting the big picture unfold as I went along, paying attention to details while
remaining focused on the goal of creating a coherent, unified whole. It was a very
absorbing and rewarding experience to produce this music, and I hope the listener
experiences it that way also’.

Musically, Chris has been able to create something that is not only innovative but
grooves like a crazy thing. Building each composition from the bass brings the funk
to the fore. Rhythmically, there’s a flow that is reflected in the inspiration behind
many of the tracks: the title (from a speech by Brutus in Shakespeare’s ‘Julius 
Caesar’) sets the tone – the tide is the ultimate rhythm. The songs also have a 
poetic, fluid theme, as Chris explains:

“… you see the tune names form a kind of poem in sequence. ‘The Mother of Waters’
is a reference to the Yoruba and Santeria goddess Yemoja.” [Yemoja is a major water
deity from the Yoruba religion. She is an orisha, in this case the patron spirit
of oceans and rivers – particularly the Ogun River in Nigeria].

What’s in the Bundle? This project is as new and exhilarating to us at Edition Records
as it was to Chris, and to share this excitement we’re offering his fans an exclusive
opportunity to grab bundle versions as well as standard versions of the coloured
LP and CD. These bundles will include sheet music of all ten tracks, as well as 
a video analysis by Chris discussing his inspiration, approach and process in writing,
recording, arranging and performing all the instruments on the album.

![](https://i0.wp.com/editionrecords.com/wp-content/uploads/2020/08/EDN1168-Chris-
Potter-There-Is-A-Tide-Vinyl-Mockup.jpg.webp?w=640&ssl=1)

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