# LatinJazz: Annual Puerto Rico Jazz Jam at Centro de Bellas Artes in Santurce: Video, Photos

- Link: https://jazzblues.eu/2024/02/14/latinjazz-annual-puerto-rico-jazz-jam-at-centro-de-bellas-artes-in-santurce-video-photos/
- Published: 2024-02-14T00:02:22+01:00
- Author: https://JazzBlues.EU

**Fast forward to last week, January 2024, this time at the Centro De Bellas Artes
Sala René Márques in Santurce for the 14^(th) annual Puerto Rico Jazz Jam.  Instead
of a single night I went to both evenings of the event and let me tell you it was
happenin’!**

Friday January 26^(th) featured **Sounds Of Percussion **and** Furito Ríos** and**
Standard Bomba Quintet**.  Saturday was devoted to Ramírez’s big band in a tribute
to The Latin Queen Of Soul, La Lupe.  When I found out about the shows I was so 
excited I changed into my running clothes and ran over to the venue to purchase 
tickets.

Sounds Of Percussion was a showcase of four talented musicians: **Zayra Pola** (
timbales), **Kachiro Thompson** (congas), **Richie Carrasco** (bongo) and **Francisco
Alcalá** (drums).  They were ably supported by **Richard Trinidad** on piano and**
Robert López** on acoustic bass  They began the show with an old Cal Tjader tune
called “Mambo Terrifico” followed by a Tito Puente number where Pola furiously soloed.
In fact, the pattern was similar on all the tunes, as each percussionist played 
an extended solo.

The most arresting solo was Richie Carrasco’s where he used the campana (bell) and
bongo in a way I had never heard before.  Thompson and Alcalá had some interesting
things to say on their respective instruments as well.  Thompson spoke to the audience
at length starting a trend I noted with the other groups.

![14th Annual Puerto Rico Jazz Jam](https://i0.wp.com/latinjazznet.com/wp-content/
uploads/2024/02/Puerto-Rico-Jazz-Jam-2024-740.jpg?resize=740%2C740&ssl=1)

^(14th Annual Puerto Rico Jazz Jam 2024)

One of the great things about going to the Jazz Jam is that one gets exposed to 
many new artists.  Furito Ríos has been around for some time now and he confessed
to the audience that he had played the Sala René Márques thousands of times but 
never with his own band.  I have no idea why they waited so long to showcase his
brilliant band: **Joaquin Del Rio** (acoustic and electric bass), **Josue Gónzalez**(
piano), **Issac Cruz** (various percussion instruments) and **Hectór Matos** (drums).
Ríos plays the alto and tenor saxes in addition to being the musical director of
the band.

After two original compositions, Ríos introduced the crowd to his son Raúl who proceeded
to sing and rap on an original song.  Raul seemed to be the spark that the band 
was waiting for as the music went up to another level.  After a brief absence Raúl
came back with his trumpet and the band broke into the Miles Davis chestnut from
Kind Of Blue, “Freddie Freeloader”.

The Ríos family has some mighty musicians as Raúl played with great expertise.  
Papá Ríos made the most of his solos as he wove some great lines throughout the 
evening. Ríos saved the best for last, a gorgeous “Freedom” penned by the late Barry
Harris.  If that wasn’t enough, their friend **Héctor Calderón** (leader of the 
folkloric group **Yubá Iré**) came out and danced to the beat of the barril de bomba(
a drum made from a rum barrel) played by Cruz.

The next night, Saturday January 27th, drummer **Henry Cole** and his trio opened
the show with a Joe Henderson tune that set the tone for the evening.  The superb
pianist **Luis Perdomo**, veteran of many jazz bands in New York, was particularly
inspired as was the excellent acoustic bass player **Ricky Rodríguez**.  Two songs
stood out during their set, Perdomo’s composition “Dance Of The Elephants”, with
its rhapsodic beginning that built to a thrilling climax.  Henry told us about finding
his tio-abuelo’s (great uncle) original composition, a bolero, entitled “Lirio Blanco”
in the tio-abuelo’s home, which they played with great emotion, clearly a loving
tribute to his tio-abuelo.

Cole spoke at length on several occasions to accentuate the music and was very eloquent
when speaking about his family.  Watching Cole’s constant movements while playing
the drums was captivating, he doesn’t just play the drums, he moves to and with 
the music.  Perdomo and Rodríguez were not sideshow performers; they made significant
statements throughout the whole set.  To end their portion of the show Cole brought
out vocalist and stunning dancer **Tanicha López**.  She sang and moved with an 
indescribable groove to a Silvio Rodríguez tune, suddenly bringing the audience 
to its feet.

Without an introduction the curtain went up and the Humberto Ramírez Big Band swung
into action with two shining tunes. What transpired next was what the capacity crowd
came for, the tribute to La Lupe, who passed away at the young age of 52, a singer
of undeniable power and emotion, whose voice brought down the house every time she
performed.  Singer **Michelle Brava** inhabited the numbers with grace and simplicity
not trying to imitate La Lupe but bringing her own style to the proceedings which
proved to be absolutely appropriate.

Ramírez proved to be a wonderful emcee who kept the audience’s attention with information
about the music and personal anecdotes, quite in contrast with performers in the
States who rush immediately to the next tune.   The audience was completely taken
with the Big Band and her voice, so much so that they sang along with most of La
Lupe’s famous songs.

The Boleros were especially effective as the audience members became increasingly
entranced.  On the more uptempo songs, two back-up singers came out to augment the
sound with their voices and traditional dancing.  Special mention must be made for
Ramírez’s highly attuned arrangements.  Solos were crisp and uniform and the ensemble-
playing was direct and supportive.

The evening closed with the Henry Fiol track “Oriente”, a song the audience would
recall from one of the great soneros (lead singers) of Puerto Rico.  Solos abounded
and one in particular was memorable, **Reinaldo Jorge** blasted out some earth shaking
sounds on his trombone.  Thus ended a thoroughly satisfying evening of fabulous 
sounds!!

![Puerto Rico Jazz Jam 2024](https://i0.wp.com/latinjazznet.com/wp-content/uploads/
2024/02/Puerto-Rico-Jazz-Jam-2024-900.jpg?w=640&ssl=1)

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