A collection of arrangements that Charlie Parker commissioned for strings but never got a chance to record.
Charlie Parker recorded his classic Bird with strings arrangements while he was in his late twenties/early thirties, and was really proud of those recordings and expressed a desire to work more with a small string ensemble, harpist, oboist and rhythm section, but the economics even back then of traveling with anything besides a quintet were prohibitive. So this record will hopefully serve as a what if regarding the short-lived (1929-1955) yet prolific career of one of the undisputed geniuses of modern music – most of these arrangements would have served as a significantly more ambitious follow-up to the classic string recordings the listener already knows.
“When you grow up in Cleveland, Ohio, playing in a Polish polka band, you learn to think fast on your feet”, says Ken Peplowski, who played his first pro engagement when he was still in elementary school. “From my first time performing in public, I knew I wanted to play music for a living.”
Ken, and his trumpet-playing brother Ted, made many local radio and TV appearances and played for Polish dances and weddings virtually every weekend all through high-school. “That’s where I learned to improvise, ‘fake’ songs, learn about chord changes, etc.- it’s exactly like learning to swim by being thrown into the water!”
By the time Ken was in his early teens, he was experimenting with jazz by playing in the school “stage” bands, and also by jamming with many of the local jazz musicians. “By the time I hit high school, I was teaching at the local music store, playing in our family band, and playing jazz gigs around town while still getting up early every day for school.”
After a year of college, Ken joined the Tommy Dorsey Orchestra under the direction of Buddy Morrow. “Buddy heard me with my quartet at a Cleveland jazz festival along with Teddy Wilson’s trio and the Dorsey band, and made an offer right then and there for me to not only play lead alto, but to have a feature spot on the clarinet with the rhythm section. It was a great ‘road-school’ – we learned the discipline that goes with playing one-nighters every day for 48 weeks out of the year, and Buddy was a great, very generous bandleader.”
Peplowski met Sonny Stitt while on the road with the Dorsey band, and studied with him. “He was, and is, an inspiration to all of of us who make a living ‘on the road’ – I’ve never heard anybody play with such amazing consistency as Sonny, through all kinds of settings.”
In 1980, Ken moved to New York City,and was soon playing in all kinds of settings, from traditional to avant-garde jazz. “Everything’s a learning experience in jazz music – there’s always an element of the unpredictable.” In 1984, Benny Goodman came out of retirement and put together a new band, hiring Ken on tenor saxophone.
Peplowski signed with Concord Records, under the tutelage of Carl Jefferson, the founder and president, and recorded close to 20 albums as a leader, including “The Natural Touch” in 1992 which won Best Jazz Record of the Year by the Prises Deutschen Schallplatten Kritiken, and “The Other Portrait”, recorded in Sophia Bulgaria with the symphony orchestra and highlighting Ken’s classical side. He also recorded two records on the Nagel Heyer label,”Lost In The Stars” and “Easy To Remember”, the latter of which features Bobby Short on his last recording. “I loved Bobby Short’s approach to the American songbook, and we’d talked about doing a record together for a while – I’m glad we got this one ‘in the can.’
“What’s in the future? “Who knows? I love all kinds of music, andI’d like to find more opportunities to bridge the gaps between different musical styles – I consider myself an interpreter of material – if something interests me, I try to put my own spin on it, without thinking or worrying about playing in any particular style. Basically, I like a challenge, I’m a sucker for a good melody, and I love playing for audiences, big or small.”
And he has certainly achieved these goals, be it in small clubs, the Hollywood Bowl (where he played a sold-out concert), headlining in Las Vegas, the Newport Jazz Festival, pops concerts, European festivals and clubs, or at home in NYC, doing everything from playing on the soundtracks to Woody Allen movies, guest soloing on records (his more interesting recent ones were Marianne Faithfull and Cuban vocalist Isaac Delgado) to taking on the role of music director for interactive French and Italian cookbooks (“Menus And Music”).
The litany of musicians Ken has collaborated with includes: Mel Torme, Leon Redbone, Charlie Byrd, Peggy Lee, George Shearing, Madonna, Hank Jones, Dave Frishberg, Rosemary Clooney, Tom Harrell, James Moody, Cedar Walton, Houston Person, Steve Allen, Bill Charlap, Woody Allen, Marianne Faithfull, Isaac Delgado & Erich Kunzel. (“Although not necessarily in that order,” says Ken).
Peplowski also does many workshops for students of all ages- “My goal is to get the students to learn how to teach themselves, and to learn how to bring out their own best qualities; after all, jazz is about individuality-first you learn the rules, then you break them. I would like to think of myself as a lifelong student!”
Ken Peplowski is a Buffet-Crampon artist, and plays the R-13 clarinet,with a Portnoy mouthpiece and Van Doren German-cut reeds. He also plays a Conn tenor sax and a Berg Larsen mouthpiece.
Ken’s new CD is called “Sunrise” and it’s a big band record of new arrangements written exclusively for him, plus some reworking of classic arrangements. His upcoming CD is a duo record with Brazilian guitarist Diego Figuereido entitled “Amizade”.
He is currently the artistic director of the Sarasota Jazz Festival, the Newport Beach Jazz Party, and the Oregon Coast Jazz Party in Newport, Oregon. Ken Peplowski has also been bestowed this year’s “Creative Arts Prize In Recognition Of Outstanding Contribution In The Field Of The Creative Arts” by the Polish American Historical Association.
Featuring Ken Peplowski, Clarinet and Tenor Saxophone, Terell Stafford, Trumpet, Glenn Zaleski, Piano, Peter Washington, Bass, Willie Jones III, Drums. Conducted by Loren Schoenberg, the orchestra features Rose Kow Xiu Yi – 1st Violin, Concertmaster, orchestral contractor, Tia Allen – 2nd Violin, Yoonjung Hwang – 3rd Violin, Kayla Williams – Viola, Robin Park – Cello, Elizabeth Steiner – Harp, Keve Wilson – Oboe.
1. Gold Rush
2.Ezz-Thetic
3.I Cover The Waterfront
4.Gone With The Wind
5.Summertime
6.Love Walked In
7.When I Dream Of You
8.Moon Mist
9.They Didn’t Believe Me
10.You Go To My Head
11.Yesterdays
12.Stardust
13.Repetition
14.You Must Believe In Spring
Ken Peplowski(Clarinet and Tenor Sax)
Terell Stafford(Trumpet)
Glenn Zaleski(Piano)
Peter Washington(Bass)
Willie Jones III(Drums)
Conducted by Loren Schoenberg, the orchestra features:
Rose Kow Xiu Yi – 1st Violin
Tia Allen – 2nd Violin,
Yoonjung Hwang – 3rd Violin,
Kayla Williams – Viola,
Robin Park – Cello,
Elizabeth Steiner – Harp,
Keve Wilson – Oboe
https://www.youtube.com/watch?v=dYOAUvJFIGc
