# Contrary to a cynical early view, they don’t all sound the same: Here are four of them, judge for yourself: Videos, CD covers

- Link: https://jazzblues.eu/2025/08/25/a-cynical-early-view-they-dont-all-sound-the-same-here-are-four-of-them-judge-for-yourself-videos-cd-covers/
- Published: 2025-08-25T20:15:45+01:00
- Author: https://JazzBlues.EU

**In the 55 years since the discreet arrival of the first ECM album, Mal Waldron’s
Free At Last, Manfred Eicher’s label has released somewhere north of a thousand 
albums.**

Contrary to a cynical early view, they don’t all sound the same. They are, however,
distinguished by the presence of set of qualities — musical, aesthetic and philosophical—
that appear, in varying proportions, in just about every one of them.

You can detect those qualities in four of their recent releases, each of which exemplifies
a certain characteristic taken to the very highest level.

**1 Vijay Iyer / Wadada Leo Smith: Defiant Life**

American jazz from the tradition continues to make its presence central to ECM’s
output. Smith’s trumpet and Iyer’s keyboards and electronics weave their way through
spellbinding duets subtextually infused with a sense of history. Smith’s “Floating
River Requiem” is a dedication to Patrice Lumumba, the Congolese independence leader
murdered by colonial forces in 1961, while Iyer’s “Kite” acknowledges Refaat Alareer,
a leading Palestinian poet killed along with two siblings and four nephews during
an Israel air strike on Gaza in late 2023. Sorrow and outrage are present in this
music, but it also serves, in Iyer’s words, as a statement of “faith in human possibility.”

![Defiant Life - ECM Records](https://i0.wp.com/ecm-server.de/audio/06024753/0602475309802/
Cover_1000.webp?w=640&ssl=1)

**2 Anouar Brahem: After the Last Sky**

Modes from all over the world find their way into the ECM matrix. The Tunisian oud
player and composer Anouar Brahem first recorded for the label 35 years ago. On 
his latest album he is in the company of three of the company’s regulars: the cellist
Anja Lechner, the pianist Django Bates and the bassist Dave Holland.

Taking its title from a book by the late Edward Said, this album, too, is driven
by reflections on the suffering, recent and historic, of the people of Gaza, as 
outlined in Adam Shatz’s fine sleeve essay. Unfolding with patience and elegance,
metabolising elements from Arabic maqam, jazz and European classical music, these
quartet pieces ache with grief.

![After the Last Sky - ECM Records](https://i0.wp.com/ecm-server.de/audio/06024753/
0602475342878/Cover_1000.webp?w=640&ssl=1)

**3 Alexander Knaifel: Chapter Eight**

By cultivating a widespread audience for the work of the Estonian composer Arvo 
Pärt via its New Series offshoot, ECM helped create the genre known as “holy minimalism”.
Alexander Knaifel (1943-2024), born in Tashkent, studied cello with Rostropovich
in Moscow in the 1960s before making a reputation writing operas and film music.

A kind of an Uzbek version of Anthony Braxton, he also wrote an extended piece for
17 double basses and another for 35 Javanese gongs. But the pieces on this album,
performed by an ensemble of three Latvian choirs and the Swiss cellist Patrick Demenga,
are settings of verses from the Song of Solomon.

Proceeding with great deliberation under the baton of Andres Mustonen, they achieve
the required meditative glow to very satisfying effect, fully exploiting the acoustic
resonance of the Jesuit church in Lucerne, where they were recorded in 2009.

![Alexander Knaifel: Chapter Eight - ECM Records](https://i0.wp.com/ecm-server.de/
audio/00289485/0028948598533/Cover_1000.webp?w=640&ssl=1)

**4 Arve Henriksen / Trygve Seim / Anders Jormin / Markku Ounaskari: Arcanum**

The crucial role played by ECM in the emergence of Nordic jazz needs no acknowledgement.
Here are four leading players — the trumpeter Henriksen and the saxophonist Seim
from Norway*, the bassist Anders Jormin from Sweden, and the Finnish drummer Ouaskari—
at the height of their powers, taking memories of Ornette Coleman’s quartet as a
starting point from which to develop conversations of great beauty and originality.
All four of these albums are outstanding, but this is the one that sounds to me 
like a future classic.

![Arcanum - ECM Records](https://i0.wp.com/ecm-server.de/audio/06024751/0602475104773/
Cover_1000.webp?w=640&ssl=1)

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