# A continent united by the language of jazz, blues, soul and musical imagination at Autumn – Winter JazzBlues Season – EU Jazz & Blues Festival 2026: Photos

- Link: https://jazzblues.eu/2026/11/15/4654/
- Published: 2026-11-15T09:01:15+01:00
- Author: https://JazzBlues.EU

### **Pan-European Concert Report | November 2026!**

November has brought another remarkable chapter to the 2026 Autumn–Winter season
of the EU Jazz & Blues Festival, transforming Europe’s historic concert halls, celebrated
jazz clubs, cultural centres and intimate musical spaces into meeting points for
exceptional artists and audiences.

From Barcelona to Copenhagen, from Paris to London, from Brussels to Dortmund and
Ingolstadt, this international programme demonstrates the extraordinary diversity
of contemporary jazz and blues. It embraces the great traditions of American jazz,
the sophistication of European improvisation, the expressive power of blues, the
irresistible energy of soul, the experimental possibilities of electronic music 
and the grandeur of orchestral collaboration.

![](https://i0.wp.com/jazzblues.eu/wp-content/uploads/2026/09/Jazz-Blues.jpg?resize
=640%2C427&ssl=1)

The programme brings together established masters, Grammy-winning performers, distinguished
European instrumentalists, innovative composers and musicians whose individual voices
continue to expand the boundaries of contemporary music.

There is a particularly beautiful artistic dimension to this November programme:
the coexistence of different generations and musical cultures.

The timeless vocabulary of bebop and hard bop meets modern jazz harmony; acoustic
intimacy encounters electronic soundscapes; blues traditions converse with contemporary
soul, funk and rock. Every concert contributes a different colour to the larger 
European musical panorama.

The following report celebrates the artists, venues and musical encounters of this
extraordinary season.

## **Samara Joy – Barcelona, Spain**

![Samara Joy : la diva du jazz moderne donne le coup d’envoi de sa grande tournée](
https://images.openai.com/static-rsc-4/hy-vhAP_O-QegJz2i2OEW9HaCGSN_xBo5dvK6CNorpJtQZqBNGy0BDlUvYoCDQOm5_nY4d7hxBhAHo_aKUg15kKi17CMkt9NgvJNUCuen0b5q6jAKSxGoQDbWXLMXCrfR48zKdUWcLPBX9XZItHWbPR3pf6j_mq6_NhyWTbsKGut481vu4rz7A3Vv4-
S87k_?purpose=fullsize)

### **A voice of extraordinary elegance at Palau de la Música Catalana**

_**13 November 2026 | Barcelona! **_One of the most beautiful vocal events of the
November programme was the appearance of the extraordinary American jazz vocalist
Samara Joy at the magnificent Palau de la Música Catalana.

On November 13, Barcelona welcomed an artist whose remarkable rise has brought a
renewed sense of excitement to traditional jazz singing. With six Grammy Awards 
to her name, Joy represents a generation that understands the importance of jazz
history while approaching its repertoire with freshness, individuality and remarkable
artistic maturity.

Her appearance at the Palau was particularly meaningful. This extraordinary concert
hall, with its spectacular modernist architecture, stained glass and magnificent
decorative details, provided an ideal setting for a vocalist whose music depends
upon atmosphere, emotional nuance and the beauty of acoustic sound.

Joy’s artistic language is rooted in the great tradition of vocal jazz. The influences
of Sarah Vaughan, Betty Carter, Abbey Lincoln and Carmen McRae can be heard in the
sophistication of her phrasing, yet her personality remains unmistakably her own.
She possesses a warm, beautifully focused voice, a natural sense of swing and an
exceptional ability to make every lyric sound like a personal conversation.

![Samara Joy's polyphonic stardom | NCPR News](https://images.openai.com/static-
rsc-4/pMaMfquMS13mPNWgi5YSjjw-I7Ag-p-0YNFY-UDHeXln8F5tgtswbuwSBR4JvtT6A3sBoY7hg2zE8gbLm4pmgJSWNXHDG60oIArEL3JDNI2vXbu_mDYvVQcHyOAoxo19R7vMJpRyhz4bJdPHL2LMcVt3714VhnU_RdVZWdHduZqkvifApMj8uDQt9S6pGOE-?
purpose=fullsize)

The Barcelona programme presented her with a septet, bringing a richer instrumental
dimension to her latest artistic chapter, Portrait. The repertoire connects the 
music of jazz masters, including Charles Mingus and Sun Ra, with new lyrical interpretations
and arrangements. The result is a dialogue between the established jazz canon and
a young singer’s individual imagination.

What distinguishes Samara Joy is not simply her vocal technique. It is her understanding
of musical space. She knows when to allow a phrase to breathe, when to delay a resolution,
when to place a word just behind the beat and when to let the rhythm section carry
the emotional direction of a song.

Her performance at this historic Barcelona institution was a fitting celebration
of jazz singing at its most refined: elegant, intelligent, emotionally generous 
and deeply connected to the tradition. It was one of the defining vocal highlights
of the festival’s November programme.

## **Robert Glasper – Blue Note London, United Kingdom**

![Robert Glasper on ‘Robtober,’ his monthlong residency at The Blue Note | WBGO 
Jazz](https://images.openai.com/static-rsc-4/xrMhVyol1L8wCelj2ryAQA6c0AHjz8LH1ktgaaDxSQkY_8o2lWG1q-
_pWddvpAI0gG-XAbs80gwPqLwwuM7e3qMOi3Eg-E6m71c_WSsF3_7FZvQCWdXpOJ5evyKjQO_dUBKF-RMwLpfxShk4wcG02I1fD-
3qAKo9koa3WBY7BJmHBMaSS1ISdPxE55e8AlI1?purpose=fullsize)

### **Contemporary jazz, neo-soul and the freedom of musical conversation**

_**13 November 2026 | Blue Note London! **_The London programme welcomed one of 
the most influential musical personalities of contemporary American jazz: pianist,
composer and producer Robert Glasper.

His concert series at Blue Note London brought together jazz, R&B, hip-hop, gospel
and contemporary soul in a musical language that has become one of the most recognisable
expressions of twenty-first-century urban music.

Glasper’s importance lies in his ability to cross musical boundaries without losing
the sophistication of jazz. His piano playing is harmonically adventurous, rhythmically
flexible and full of unexpected colours. He can move from delicate acoustic passages
to electronically influenced textures, from sophisticated chord voicings to deeply
rhythmic improvisations, always maintaining a strong sense of musical identity.

The intimacy of a jazz club is particularly appropriate for this kind of performance.
Glasper’s music depends upon communication, spontaneous decisions and the relationship
between musicians. His concerts often feel less like fixed presentations and more
like living conversations in which each performer contributes something unexpected.

The following evening brought an especially exciting collaboration with English 
singer-songwriter Marsha Ambrosius. Her distinctive voice, combining soulfulness,
emotional intensity and refined R&B phrasing, offered an ideal counterpart to Glasper’s
harmonic imagination.

Their musical meeting created the possibility of a rich dialogue between the expressive
freedom of jazz piano and the emotional directness of contemporary soul singing.

![Marsha Ambrosius Unveils Exciting Progress On Upcoming Album Produced By Dr. Dre](
https://images.openai.com/static-rsc-4/94NgYNPSC66qB4YQlSzqizO8tK6uKAYqKjPSUOp1nsSn_8k1KhUyhqI9gBjTnQph6RL-
QNkOPZ_6NPWTjgXnJ2jT3RztefNENe2JluM-YsIiEMZjx4D22w6-6O-SOuryCizK3DO2xq2CmBPWdbtzFdu8p8LmxBsSl9Q6pqm00_jUlm0yJbjv8m9cl0wpcZ-
8?purpose=fullsize)

Ambrosius possesses a remarkable ability to communicate vulnerability and strength
within the same vocal phrase. Against Glasper’s fluid harmonic background, her voice
becomes both a melodic centre and an expressive instrument in its own right.

This collaboration also reflects Glasper’s wider artistic philosophy: jazz is not
a closed historical category but an open musical environment capable of absorbing
influences from different generations and genres.

The Blue Note London residency was therefore more than a series of concerts. It 
was a celebration of contemporary musical freedom, the creative relationship between
jazz and soul, and the continuing relevance of improvisation in modern music.

## **Marc Copland – 80th Birthday Celebration**

![Marc Copland Quartet feat Robin Verheyen | The Journal of Music in Ireland | News,
Reviews and Opinion](https://images.openai.com/static-rsc-4/-s-cTrgVLD4rvKcU-Yi3ZUE0G4Jngv62ew8H28xLB9n-
nVXArOs6v7k3RfEGRFTgodm-gv9Qoc51iYXm0JU74x3UJB1GSFuFNY2NYcBG_fQEtudjbcFfygOovkpTjvNj5k70Lx1PsmYaI9DnY-
hIwj6iS_d3MMGB3SrrkKJbzBgJjgiHAWWda-EKlbCWcJ9d?purpose=fullsize)

### **A lifetime of piano poetry at Le Bal Blomet, Paris**

**13 November 2026 | Le Bal Blomet, Paris, France! **Paris offered a particularly
distinguished jazz occasion with the celebration of the eightieth birthday of the
great American pianist Marc Copland.

At the historic Le Bal Blomet, Copland was joined by an exceptional European ensemble:
Belgian saxophonist Robin Verheyen, bassist Stéphane Kerecki and drummer Fabrice
Moreau.

This concert represented a beautiful encounter between generations, musical sensibilities
and artistic experiences. Marc Copland is one of those pianists whose importance
cannot be measured through technical virtuosity alone. His musical personality is
defined by extraordinary harmonic sensitivity, an almost painterly approach to colour
and a remarkable ability to create emotional landscapes through the smallest musical
gestures.

His piano language is subtle and sophisticated. Chords appear like changing shades
of light; melodies develop through unexpected harmonic turns; silences become an
essential part of the musical architecture. His improvisations often possess the
intimacy of chamber music, yet they retain the freedom and spontaneity that make
jazz such a living art.

Robin Verheyen’s saxophone brought a complementary European perspective. His lyrical
imagination, rich tone and adventurous approach to improvisation created an especially
rewarding dialogue with Copland’s piano.

![Marc Copland](https://images.openai.com/static-rsc-4/BhRujwn59JntnBi5lGweR_9Mevf1SwGXhpanshR2JjoxpPPI5ELV_8TqIp2x2_zpXWDF_V7HWiiMD_pOU9xbdkNYKCLzX1i7fAHnvuN1Kqn6papZjEYlUCFmffomUj1QLuemUifiaGq_miNnmXi-
9qbHOhVy2IsWCH7e281tyh7b0lHmnJYqZjAaSCFu_0CL?purpose=fullsize)

Stéphane Kerecki provided the harmonic and rhythmic foundation, contributing the
flexibility and sensitivity that allow an ensemble of this kind to move naturally
between composed material and spontaneous invention.

Fabrice Moreau’s drumming added colour, subtle propulsion and rhythmic imagination
without overwhelming the music’s delicate architecture.

The significance of this birthday celebration extended beyond the occasion itself.
It was a tribute to a musician who has devoted decades to exploring the expressive
possibilities of jazz piano, continually refining his musical language and inspiring
younger artists.

At Le Bal Blomet, the atmosphere of Parisian jazz tradition met the living creativity
of contemporary European improvisation. The evening stood as an affectionate artistic
salute to Marc Copland and to the enduring beauty of a life dedicated to music.

## **Chris Minh Doky and The Nomads – Ingolstadt, Germany**

![Image 1](https://images.openai.com/static-rsc-4/jUGHf2nbMi5-n9GD2OQqF37bSzm_LoCv24AEb46XCY02ru500i_VO236J_BLPVJbuy2EdMMcNyOt_uEJVYGl7RdcbwbLiUP-
6Kr_v4e3dvpXUTSzOJ89jmiMTavpGDBrJZOZY1kCPAmDSgwMRlIzWD0Fi5OhWsvU0EgxL4T0dQrdwlRocyC7QdkE23OXxth7?
purpose=fullsize)

### **International bass artistry and the power of collective groove**

_**Stadttheater Ingolstadt | Ingolstadt, Germany! **_The German programme continued
with the internationally acclaimed Danish bassist Chris Minh Doky and his group,
The Nomads, in a special musical encounter involving the German band heavytones 
at Stadttheater Ingolstadt.

Chris Minh Doky is a musician whose artistic identity is closely associated with
the modern evolution of the bass guitar. His playing combines extraordinary technical
control with a strong melodic imagination, a sophisticated rhythmic vocabulary and
a deep understanding of contemporary jazz and funk.

The bass in his hands becomes much more than a supporting instrument. It is a melodic
voice, a rhythmic engine and an essential part of the harmonic architecture.

The Nomads provide a natural environment for this musical philosophy. Their ensemble
identity suggests openness, movement and a willingness to explore different directions,
from contemporary jazz fusion to sophisticated groove-based compositions.

![Chris Minh Doky's Fresh Chapter: “New Beginnings,” Nordic Roots, and Funky Upright
Sounds – No Treble](https://i0.wp.com/www.notreble.com/wp-content/uploads/2025/07/
Chris-Minh-Doky.jpg?resize=1200%2C630&ssl=1)

The participation of heavytones added another dimension. Known for their experience
in contemporary entertainment, funk, soul and large-ensemble performance, the German
musicians brought a powerful rhythmic and orchestral sensibility to the occasion.

The meeting of these artists offered an opportunity to explore the relationship 
between improvisation and precision. Deep bass lines, energetic percussion, sophisticated
harmonic textures and tightly coordinated ensemble passages created the foundations
for an exciting musical experience.

The Stadttheater provided a distinguished cultural setting for this international
encounter. It was another example of the festival’s ability to connect national 
musical communities and create unexpected artistic partnerships.

## **Jean Toussaint Quintet – London, United Kingdom**

![Vienne Jazz Festival - France](https://images.openai.com/static-rsc-4/EfPNZ8NI57vqQ6AoMcDsuvyHEkNEFBb2RP5bqhGHTLKhFnenJ8BUMoiy1b1y0_KQxDYuPwtDyiFJfpjSCli06bHD1iMVB9Ge71sycUR-
OfdAiQ3TKPpTHICSP40Klog2FWtUTH6QjgcN-r1A3lmexzGQ_b1xqAmn1j_yjsIQAZLGCdNrk71C7q_z8jZpPigj?
purpose=fullsize)

### **The living heritage of Art Blakey’s Jazz Messengers**

**13 November 2026 | World Heart Beat Embassy Gardens, London! **London’s jazz programme
also welcomed the outstanding American-born saxophonist Jean Toussaint, a musician
whose career connects the great hard-bop tradition with the vitality of contemporary
British and international jazz.

A former member of Art Blakey’s legendary Jazz Messengers, Toussaint carries an 
important musical inheritance. The Messengers represented one of the great schools
of jazz ensemble playing, combining powerful rhythmic energy, blues foundations,
memorable compositions and the freedom of individual improvisation.

Toussaint has developed this inheritance into a personal musical language, distinguished
by a strong tenor saxophone sound, expressive phrasing, rhythmic assurance and an
impressive compositional imagination.

At World Heart Beat Embassy Gardens, his quintet presented music drawing on original
compositions and distinctive interpretations of standards. The programme’s mixture
of swing, blues, funk and groove reflected the many dimensions of his experience.

![Upcoming Events | Jean Toussaint – JT5 | Vortex Jazz Club](https://images.openai.
com/static-rsc-4/a8rXPds_mX_TT2ZO_KRvVHpLPLB7f-zU3c82717v6D-n5kOd5HqAqQFSh89AKrgw6LmAZbv4pJZCRxVCXyUzJC6b7oLw-
7n7kLYVhxa3zDf2qWLuXygP0wCfu2CBa4zcVOHPqie7bd2XPPkYGqbLISDv-cSDXanBEEJ0XxQBC6hCEDQGin-
C5fClqTHFu7Ty?purpose=fullsize)

The quintet format is particularly suited to Toussaint’s musical personality. It
allows the saxophone to interact closely with the piano, bass and drums, creating
opportunities for intricate exchanges, dynamic changes and extended improvisational
passages.

The concert also connected established artistic experience with the next generation
of London’s jazz musicians. The announced programme included young pianist Nnamdi
Nnachi-Cole, whose expressive playing and developing musical identity offered an
additional perspective on the evening.

Toussaint’s appearance was an important reminder that the legacy of Art Blakey’s
Jazz Messengers remains alive not as a museum piece, but as an active creative tradition.
Its spirit continues through musicians who understand that jazz requires discipline,
courage, individuality and an unbreakable sense of collective communication.

## **Blues Alive XXX – Šumperk, Czech Republic**

![Grammy Nominated Blues-Rock Musician Danielle Nicole Unveils New Single](https://
images.openai.com/static-rsc-4/P9Ww5-IBwEGUqhD44q1U00mk1arwjeV91rLqX8SkChFCdUXd0abiln_kDAkJI64bWaRTFfvld_GPuHIPBEguTY_dWfIZe2HcLo2nT4_FL_6nr3w-
TyBKpzBAYht0JcbtTNyhCN3CtIPeu0OmsPsNOdLbyYKYyFZ64r6_vyvw9fadN0NwxQF70ZXhAyC83bxe?
purpose=fullsize)

### **Thirty years of blues passion, international friendship and authentic roots music**

_**12–13 November 2026 | Dům kultury Šumperk and associated festival venues! **_The
anniversary was especially meaningful because Blues Alive represents more than a
sequence of concerts. It is a cultural institution devoted to preserving the living
traditions of blues while presenting the artists who are transforming its language
for new generations.

The programme brought together established American performers, internationally 
recognised blues personalities and contemporary musicians whose work reflects the
continuing vitality of the genre.

Among the major attractions was seven-time Blues Music Award winner Janiva Magness,
one of the most compelling voices in contemporary American blues. Her singing possesses
an extraordinary combination of power, vulnerability and emotional honesty. She 
understands the blues as a language of human experience, capable of expressing pain,
resilience, love, disappointment and liberation. Her performances combine the traditions
of classic soul-blues with the directness and intensity of modern roots music.

Another important name was Danielle Nicole, an exceptional singer and bassist whose
artistic personality combines soulful vocals with an impressive command of the electric
bass. Her musical approach is particularly distinctive because she treats the bass
as an expressive lead instrument. Her performances are driven by strong rhythmic
foundations, dynamic vocal delivery and an instinctive understanding of the relationship
between blues, soul and contemporary rock.

The festival also featured the highly regarded young guitarist and singer D.K. Harrell.
His music reflects a deep understanding of traditional electric blues, while his
own playing demonstrates the confidence, precision and emotional directness of a
new generation. His guitar language draws upon the heritage of the great blues masters
but avoids becoming merely imitative. The result is an expressive combination of
traditional phrasing, powerful tone and contemporary energy.

The programme also announced the special partnership of guitarists J.D. Simo and
Luther Dickinson, an exciting combination of American roots traditions, Southern
rock and Mississippi blues.

![VIDEO: Na Blues Alive si podávaly mikrofon světové hvězdy - Šumperský a jesenický
deník](https://images.openai.com/static-rsc-4/qfFGlisqLCMXJQtcmTWqRRSkw6SrTpKcmhXuH9Iov1x9f5eqqBhejt-
iS9fZK7iNwySLnKd_-NiZWHXK2QnXooeMHs1xLqjyp3l1hxxP1GDTlZCU8qV0DzW7R7w7Sr32K2zPYWhPdFKakMqVeRYiTchZp3yOyqPygEivKTSGzrXGOF0e09eUxk77ItDesN_6?
purpose=fullsize)

The thirtieth anniversary programme also embraced blues education, discussions, 
masterclasses, film screenings and late-night jam sessions. The festival’s official
programme included a guitar masterclass with J.D. Simo before his travel cancellation,
a listening session with Luther Dickinson and Petr Vizina, and numerous performances
across its main and courtyard stages.

This broader cultural programme is especially important. Blues is not only a musical
genre; it is a history, a social experience and an artistic tradition that connects
generations.

The festival’s achievement over thirty years has been to maintain that living connection.
It has created a European meeting place where the American blues tradition is respected,
contemporary artists are celebrated and audiences can experience the music in all
its emotional and stylistic diversity.

Šumperk once again became a destination for authentic blues culture, and this anniversary
edition was a major contribution to the European blues calendar.

## **Anders Gaardmand and Christina von Bülow – Copenhagen, Denmark**

![Copenhagen Jazz Festival | DR Koncerthuset](https://images.openai.com/static-rsc-
4/kHRK9Fj6dwwSO8FAnvl6QcXwjkOh8ZO-OJ9DU5QwV8SXtYqAeyXyHfmnhLaH3TemSboo5dqIhgEmvCE1pzLBIO6EjkgFbkx6PhLBhx-
IqjJGGBTdVaiiNpiZbe87tb40yRoEr15hHg4I7az7PetmIqAyVZQx6wv9SIjYTg1lTW5OlwulXoJaGKLN2FrGYOgp?
purpose=fullsize)

### **Two distinguished saxophone voices in a celebration of Danish jazz**

_**13 November 2026 | La Fontaine, Copenhagen! **_Copenhagen’s celebrated jazz club
La Fontaine offered an especially attractive programme featuring two distinguished
Danish saxophonists: Anders Gaardmand and Christina von Bülow.

Their appearance in a quartet brought together two individual musical personalities
whose approaches are deeply rooted in the jazz tradition.

Gaardmand, on tenor saxophone, has developed a sound shaped by years of experience
in the Danish and American musical environments. His playing is characterised by
a blues-inflected tone, rhythmic vitality and an instinctive understanding of the
relationship between jazz, funk and soul. His experience includes a decade in New
York, where he performed with major artists such as Etta James and Dr. John.

This background has contributed to a musical identity that combines Scandinavian
refinement with the directness and rhythmic energy of American jazz.

Christina von Bülow, meanwhile, brings a wonderfully distinctive voice to the Danish
jazz scene. Her alto saxophone sound is warm, lyrical and elegant, with a natural
affinity for the cool-jazz tradition. Her musical sensibility reflects the influence
of Lee Konitz and Stan Getz, but her artistic personality is entirely individual.
She has an exceptional ability to make a melody sound effortless, allowing the music
to develop through subtle phrasing, beautiful tonal colours and understated improvisation.

The club’s programme promised bebop, ballads, blues and energetic swing. This combination
provided an ideal framework for the meeting of the two saxophonists.

![Vinterjazz 2026](https://images.openai.com/static-rsc-4/IVg-fTrCAFV7TISxF-vKAeMEIkdiZeM-
OVe1rten6BbBBQlstL_bTfPodJmr0v-CeNV5SozZU5k83vjnzcL8wu0KTL6vUXtpGxglze_iSRWVjvKaLevjqN0uRCVEZakL7_0hHnrPqzN19uEPEktcC8aJJcQG4iBh7ToMnR9nnDMrWFpq-
_8PgeD--vsF1pPU?purpose=fullsize)

The contrast between Gaardmand’s blues-rich tenor sound and von Bülow’s airy alto
phrasing created a particularly attractive musical dialogue.

Their instruments could exchange melodic ideas, respond to each other’s improvisations
and explore the possibilities of different rhythmic and harmonic approaches.

La Fontaine is a fitting home for this kind of jazz. Its intimate atmosphere encourages
close listening, spontaneous communication and the preservation of the essential
relationship between musicians and audience.

This Copenhagen concert celebrated the richness of Danish jazz and demonstrated 
how a strong musical tradition can remain fresh, personal and full of life.

## **DeWolff – Dortmund, Germany**

![Review: DeWolff, Support Silveroller - Rescue Rooms, April 15th 2025 - ROCKPOSER
DOT COM!](https://images.openai.com/static-rsc-4/YUpA6KRQ4i_pALX4UjtFH1u7FPjKD1hGnn20X_PthFMYCEKrnGN5RguiQChpg63RCYHa1BB5o12RShC56Hd7HmAwA0FT1v-
AIYyg6mzw5qqLAzoW_JY31NT_B9IJ9MqkQCBWDpAtLYxhV6x6KPq16dWlVF8sJYOyRUOBalD42ZpApw2fR303A-
xCdf6ggslS?purpose=fullsize)

### **A powerful celebration of blues-rock energy**

_**Blue Notez e.V. | Dortmund, Germany! **_The festival’s blues-rock dimension was
represented by the Dutch power trio DeWolff, whose energetic musical identity has
established them as one of the most exciting contemporary European groups working
at the intersection of blues, psychedelic rock and classic rock.

Their appearance at Blue Notez e.V. brought a very different atmosphere from the
more intimate acoustic and chamber-jazz experiences elsewhere in the programme.

DeWolff’s musical language is rooted in the great traditions of electric blues and
psychedelic rock. Their sound evokes the expressive freedom of late-sixties and 
early-seventies rock while incorporating a contemporary understanding of dynamics,
production and instrumental interaction.

The band’s approach is built around the powerful relationship between guitar, organ
and drums. The electric guitar provides the melodic and expressive centre, the organ
creates a rich harmonic environment, and the drums drive the music forward with 
an energetic, often explosive rhythmic foundation.

What makes DeWolff particularly interesting is their ability to combine vintage 
instrumentation and stylistic references with a genuinely contemporary performance
attitude.

![DeWolff - Blues rock band with Full Moon Ritual · PHIL Haarlem](https://media.
ssphaarlem.nl/019ce765-c84c-76f8-89fe-f61473435199/voorkeur-img-8246-2?crop=3840%
2C2560%2C0%2C0&scale=1920&optimizer=image)

Their concerts are characterised by extended instrumental passages, powerful improvisations,
shifting rhythmic intensity and a willingness to allow musical ideas to develop 
beyond conventional song structures.

At Blue Notez, the band’s energetic blues-rock identity offered an exciting contrast
to the refined jazz performances of the wider festival. It was a reminder that the
blues remains one of the most important sources of inspiration for modern rock music.

## **Ina Forsman – After Dark Hour, Part II**

![Concertverslag: Ina Forsman - Hnita Jazz Club, Heist-op-den-Berg, 27 september
2025](https://images.openai.com/static-rsc-4/G9Y8cmsL5lPQrBtVAGoYfWF-HNehZnY6AvZxlqkipaQSRRWu6MZ0Czc0O3gnoRt5nxBZvqwc6fLndwcq-
3rKp65W2Tyfwb41Yre1Bg8lCvGDEM2XCa9mnYSeOES2P1IN4r5oJ0Nu44JkzuScWGq1hA9V5ccZkn-9IFZJxTLR1ZC-
BouP6ZHD1UZFQjXkk62h?purpose=fullsize)

### **Vintage soul, blues and the irresistible atmosphere of a late-night performance**

_**Osnabrück, Germany | After Dark Hour Tour, Part II! **_Finnish singer Ina Forsman
brought her distinctive combination of vintage soul and blues to the German programme
with the second part of her After Dark Hour tour.

Forsman has developed a remarkable musical identity through her understanding of
classic soul, rhythm and blues, and the expressive traditions of American roots 
music.

Her voice possesses a wonderfully characteristic grain and emotional depth. It can
sound intimate and delicate in a quieter passage, then expand into a powerful, commanding
delivery when the music calls for greater intensity.

The vintage aesthetic of the After Dark Hour concept provides a natural environment
for her artistic personality. The musical atmosphere evokes the golden era of soul
and blues, yet the performance is not simply an exercise in nostalgia.

![Fotogalerij - Vorstin](https://images.openai.com/static-rsc-4/AQ0oRwZon4ZQsZA4iVzZ5PvfyxEVt9qvExwqrAhJU5U-
NOVIarx752l8FKq6z8lF_93cPJZsJ-O6vmuQCVOQnMEk14mXFwkzy_bQzpcMxMdQ1pqz86rOmhKBx6OpoY8Y12e6qK2__qwol6qp23srotedCXqiO82vUH9QLMOJOwXXP9UKWzrPh3a0nbrA9Zl4?
purpose=fullsize)

Forsman’s singing carries the emotional immediacy of an artist who understands these
traditions from within. Her phrasing, dynamic control and instinctive relationship
with rhythm make her a compelling interpreter of music that depends upon authenticity
and feeling.

The concert in Osnabrück represented the soulful, atmospheric side of the EU Jazz&
Blues Festival, offering a warm and emotionally expressive experience within the
wider European programme.

It was a celebration of the enduring relationship between blues and soul: two traditions
that share a common emotional vocabulary and the ability to transform personal experience
into universal musical expression.

## **Goldie – Dare to Dream**

![An evening with Yussef Dayes at the Sydney Opera House](https://images.openai.
com/static-rsc-4/LJu3eKUMnVbCRPfKVV8ns0zxsAk2UYG4gaONdZqlFSDGN2GFsqetNL5V3eSc_cM1oO9cPaoiE9MHGb2MrzzJ5ks-
S0kKzm8-kgY90FpnVJvRP_17lz-G5iangbUqFFCqBCdLoIBHQqp3H84IGKho1zpNm8pXQNNgRc4d6CVbNY9AKdbNuBraJDlcys2Jr4Uz?
purpose=fullsize)

### **Drum-and-bass meets the orchestra at London’s Royal Festival Hall**

_**14 November 2026 | Royal Festival Hall, London, United Kingdom! **_One of the
most ambitious and conceptually exciting events of the November season was the presentation
of Dare to Dream by the pioneering British musician Goldie at the magnificent Royal
Festival Hall.

Goldie is a major figure in the development of British electronic music, particularly
drum-and-bass and jungle. His artistic influence extends beyond DJ culture into 
composition, visual art and collaborations that have brought electronic music into
dialogue with orchestral performance.

The Dare to Dream project represented an especially ambitious artistic undertaking,
bringing together Goldie’s live band, the Elysian Collective, a choir and an ensemble
of distinguished guest musicians.

Among the announced guests were jazz drummer and producer Yussef Dayes, vocalist
Cleveland Watkiss, singer Natalie Williams, anaiis, Skin, and the exceptional British
musical personality Noel Gallagher.

The concept was particularly compelling because it explored the relationship between
electronic rhythmic structures and the expressive possibilities of orchestral music.

Goldie’s musical universe is built upon breakbeats, powerful bass frequencies, atmospheric
textures and emotionally charged melodic material. His landmark album Timeless demonstrated
how drum-and-bass could transcend the dancefloor and become a form of expansive 
musical storytelling.

![Goldie - Heritage Orchestra](https://images.openai.com/static-rsc-4/ixzGi8a5obdcWT82nsPjUqPSWPSdSui2uWFQMvTYATj83TW1-
VbRBolsU75GHse86GiA8v2kudfc-Gv_1lbpyRlJNuazU-uv2YaSzrTjHw83ZY8NsbJ7J3bhrtrAtU_jlRJIfye998CKlAfMda90HArHxclf0nCv2th09LUXSdQW27drTvWF8t8jKOmr3efC?
purpose=fullsize)

In Dare to Dream, this vision was developed through a larger orchestral and vocal
framework. The presence of Yussef Dayes was especially significant. One of the most
exciting drummers of his generation, Dayes has developed a highly individual rhythmic
language influenced by jazz, broken beat, funk, African musical traditions and contemporary
electronic culture. His participation offered an organic connection between the 
improvisational spirit of jazz and the rhythmic architecture of drum-and-bass.

Cleveland Watkiss brought another important dimension. His extraordinary vocal versatility
and deep experience in jazz, reggae, soul and experimental music made him a natural
participant in a project that refuses to respect conventional stylistic boundaries.

The Royal Festival Hall, with its grand concert architecture and capacity for large-
scale musical presentation, was an ideal venue for this ambitious collaboration.

The performance demonstrated the possibilities of a contemporary musical language
in which orchestral writing, improvisation, electronic rhythm and vocal expression
can coexist within a unified artistic vision.

It was one of the most adventurous events of the season and a powerful example of
the festival’s commitment to presenting music beyond traditional genre definitions.

## **Asha Puthli – The Cosmic Voyager**

![EFG London Jazz Festival Adds Asha Puthli, The Joy and More to 2026 Lineup | The
Quietus](https://images.openai.com/static-rsc-4/sP0vFN4Yuq9qVnQNwtXt2KGVgvtaTcMRw4Q49tltylk9A8BCAJaZzX5O-
BttyNJgRNzDUAj8RvPRWdYBnxQMoJ3t9sO5WNwPsSQy5tV57Kpgiq-2hTmGXCcsCzXHsHeiniiWnqBYXrSuzQlKfQ_eMbHWuW8wc2g2b145nL1WEDvjkN6EcR8zK_2QT69tuN70?
purpose=fullsize)

### **A pioneering voice travelling between jazz, Indian music and cosmic funk**

**14 November 2026 | Barbican Centre, London, United Kingdom! **The appearance of
Asha Puthli at the Barbican Centre was one of the most distinctive artistic events
of the November programme.

An extraordinary singer whose career has crossed the boundaries of jazz, Indian 
classical music, avant-garde experimentation, disco and electronic soul, Puthli 
is a genuine pioneer of international musical fusion.

Born in Mumbai, she developed an artistic identity shaped by Indian musical traditions,
Western classical training and an adventurous interest in contemporary jazz. Her
international recognition grew significantly through her collaboration with Ornette
Coleman on the landmark album Science Fiction. Her unusual vocal approach, combining
ethereal textures, operatic technique and improvisational freedom, immediately distinguished
her from conventional jazz singers.

Puthli’s influence also extends into the development of cosmic disco and sophisticated
electronic funk. Her music helped establish a new expressive territory in which 
jazz improvisation, Indian melodic ideas and dance-oriented rhythms could coexist.

The title The Cosmic Voyager was particularly appropriate for an artist whose musical
identity has always been associated with exploration, imagination and the freedom
to travel between different artistic worlds.

![How India ferried the new Gorillaz record ‘The Mountain’ across - Features - Mixmag
Asia](https://images.openai.com/static-rsc-4/E5O_drwkxDPkZ4BrrGyllp_93jxE3u3_rdxYkFIVji28oq2DIF95JEsFngRxWO5HjXVPxWiGHTMwh0INRgl36EJrr3YKe2M20YqyMqTP3AKwLywjqL1gVJNCjm2NjCb88ZD3B7oDT9ZgUXTBtmUyuWMfxBAoT5rgaGUV2OtmetcWbcFkalp9faXFZT9sJodr?
purpose=fullsize)

The Barbican performance featured special guests including sitarist Anoushka Shankar,
trumpeter Yazz Ahmed and percussionist Sarathy Korwar.

This combination created a particularly rich cultural context, bringing together
different generations of artists who have developed distinctive approaches to the
relationship between jazz and South Asian musical traditions.

Puthli’s voice remains the central element of this universe: mysterious, elegant,
expressive and capable of moving between delicate atmospheric passages and more 
dramatic vocal statements.

The concert was an important celebration of artistic independence and international
musical dialogue. It reminded audiences that many of the ideas now considered central
to contemporary global music were being explored by visionary artists decades ago.

Asha Puthli’s appearance at the Barbican was therefore not simply a retrospective
tribute. It was an opportunity to recognise the continuing relevance of a pioneering
musical imagination.

## **L’Antidote, Naïssam Jalal and Roberto Negro**

![Naïssam Jalal & Rhythms of Resistance in Bremen](https://images.openai.com/static-
rsc-4/FdGoEVyxMKj4Q9AACMme8rlTZn-_sehQYM4AT76wJccRAWIXtAGCZZB4nmTMxlPlfTNkY2XSLPDVODhpTZ7MhRZeZio2cewzP5gf5NQ_R9-
hCcMgth12Sr0xbB9kf_cuQ2IG6LR7vXhtFhyvomnBs4Ku2iR8j-296QMIuDz4uy9reW7l3zkcHANSHcDTAH6Z?
purpose=fullsize)

### **Landscapes of Eternity – Music as a meeting place of cultures**

_**14 November 2026 | Cadogan Hall, London, United Kingdom! **_At the distinguished
Cadogan Hall, the festival presented an unusually beautiful double programme, bringing
together two artistic projects united by their exploration of musical dialogue, 
cultural identity and contemplative expression.

The first ensemble, L’Antidote, brought together three remarkable instrumentalists:
Albanian cellist Redi Hasa, Iranian percussionist Bijan Chemirani and Lebanese pianist
Rami Khalifé.

Their collaboration is built upon the meeting of different musical traditions. Mediterranean
influences, Persian rhythmic structures, contemporary classical composition and 
jazz sensibilities combine to create a sound world of extraordinary expressive potential.

Redi Hasa’s cello provides a lyrical centre, capable of producing both delicate 
melodic lines and deeply resonant textures. Chemirani’s percussion brings rhythmic
complexity and an organic connection to traditional musical cultures, while Khalifé’s
piano contributes harmonic depth, dramatic contrast and compositional sophistication.

The second part of the evening presented Landscapes of Eternity, featuring French-
Syrian flutist and composer Naïssam Jalal alongside pianist Roberto Negro. Inspired
by Jalal’s journeys through North India, this project explores the relationship 
between music, nature, spirituality and the contemplative traditions of Hindustani
music.

Jalal’s flute possesses a remarkable expressive range. Its sound can be intimate
and breath-like, then suddenly expand into an intense melodic statement. Negro’s
piano provides an imaginative harmonic environment, responding sensitively to the
flute’s melodic direction.

![SWITZERLAND-MUSIC-BIJAN-CHEMIRANI-RAMI-KHALIFE-REDI-HASA-MONTREU](https://images.
openai.com/static-rsc-4/QW4cxLNO373iz6As19d3cH4dEdRKTe00HnsbaUFMIwrwvS0g_BmLDI1j1MTvIqn2w0pNS0uSDKqzf202Co3NiPSNtPF8Arw_BYZWbw2n0Oqu4NrVFaKf6YpizmMT-
J8zEQ_E9nNjFG8DjxN4UOI9Xoom_RBbN8yJsfA3hcW7xf1hbENksduIfqq84Vxl2dj_?purpose=fullsize)

The beauty of this duo lies in its restraint. Rather than relying upon constant 
activity or technical display, the musicians create a space in which every phrase
becomes meaningful.

Together, the two projects formed a programme of exceptional cultural richness. 
They demonstrated how music can transcend geographical and stylistic boundaries 
while preserving the identity of its individual traditions.

Cadogan Hall was an ideal environment for this experience. Its distinguished acoustic
setting allowed the subtle details of the instruments to emerge clearly, creating
an atmosphere of attentive listening and artistic reflection.

This was one of the most poetic and culturally expansive programmes of the November
season.

## **Raffaele Casarano – Brussels, Belgium**

![Il jazz invade Bari: tre giorni di concerti gratuiti in centro](https://images.
openai.com/static-rsc-4/CPi-SITT-eW9a2qCBrL0gLW4rX-r5oyCZYHckBDyBBG8hPUkPL8TMB2YM3ogtzO0xthJijUKTMQJ2ygxnDz7xxhFCBx9uBq3PTzKGSGx1qIkuEs2VV_k1orKp5roZmKE_O4ThIng_167pterdpKhiwIjb6i6kBAXF0pDQk82d2Zhelx10iZDsqOJKgPzvxeU?
purpose=fullsize)

### **Mediterranean lyricism and the new language of Italian jazz**

_**14 November 2026 | La Tricoterie, Brussels, Belgium! **_Brussels welcomed the
outstanding Italian saxophonist and composer Raffaele Casarano to the cultural venue
La Tricoterie.

Casarano is one of the important personalities associated with Italy’s new generation
of jazz musicians. His artistic approach combines the expressive traditions of jazz
with Mediterranean lyricism, contemporary composition and a broad international 
perspective. His musical language is characterised by melodic sensitivity, an imaginative
use of instrumental colour and an openness to influences from different cultural
environments.

Coming from Salento in southern Italy, Casarano brings a particular geographical
and emotional identity to his music. The Mediterranean world is not simply a background
but an important element of his artistic imagination. His saxophone playing can 
be lyrical and introspective, but it also possesses considerable energy and rhythmic
drive. His compositions often explore the meeting of different musical traditions,
creating a sound that feels simultaneously rooted and adventurous.

Throughout his career, Casarano has collaborated with internationally recognised
musicians, including Richard Bona, Sting, Noa, Dhafer Youssef and Manu Katché. These
encounters have contributed to his broad artistic vocabulary and his understanding
of jazz as an international language.

The Brussels appearance formed part of his European live tour and offered an opportunity
to revisit important compositions from his career while introducing music connected
with his forthcoming artistic chapter.

La Tricoterie provided a suitable setting for this encounter between Italian musical
identity and the wider European jazz community.

The concert celebrated a contemporary jazz language in which Mediterranean warmth,
improvisational freedom and compositional sophistication come together naturally.

## **Jakob Dinesen and Albert Sanz Quartet – Copenhagen, Denmark**

### **Scandinavian lyricism meets Spanish piano passion at Jazzhus Montmartre**

![Asmund Havsteen-Mikkelsen – Lex](https://images.openai.com/static-rsc-4/E5b1IDs-
FN1VCjWgnbG5qHdaWgeZtptfAL5ZA2emKmBHQWewuW54_DaLVbxiy2BgPTlVmW6ATS1bdqA6iKE7yBXeAbMrsvjZchiCyLmbkjao423et9CJ-
ZIIWAqTpKV-OPuCgJitKKNtfh_PKJLiYSznLuzepYgNYRKgeCNwnlA80EWyogBGrFZ8-GRAHkbc?purpose
=fullsize)

_**14 November 2026 | Jazzhus Montmartre, Copenhagen! **_The Copenhagen programme
concluded this remarkable collection of international encounters with a particularly
attractive collaboration between Danish tenor saxophonist Jakob Dinesen and Spanish
pianist Albert Sanz.

Their appearance at the historic Jazzhus Montmartre brought together two distinctive
European musical personalities, supported by bassist Felix Moseholm and drummer 
Martin Maretti Andersen.

The programme was built around the meeting of Dinesen’s warm, expressive tenor saxophone
and Sanz’s harmonically rich piano playing.

Jakob Dinesen is a highly respected figure in Danish jazz, known for his versatility
and his ability to move between different musical environments. His work has included
collaborations with international jazz musicians and projects ranging from contemporary
fusion to deeply swinging acoustic jazz.

His tenor sound is warm and open, with a lyrical quality that makes him particularly
effective in ballads and melodic improvisations. He possesses a natural sense of
phrasing and an ability to create long musical lines without sacrificing rhythmic
vitality.

Albert Sanz brings a contrasting but complementary personality. One of Spain’s prominent
jazz pianists and composers, he has developed a musical language incorporating Brazilian
rhythms, classical harmonic ideas and contemporary jazz improvisation. His playing
is full of colour, rhythmic flexibility and melodic imagination.

His ability to move between sophisticated harmonic structures and expressive melodic
passages makes him an ideal partner for Dinesen.

![THE 10 BEST Copenhagen Jazz Clubs & Bars (2026) - Tripadvisor](https://images.
openai.com/static-rsc-4/imwsWJeqOQfDRosIMp3tNQXZM4_XqBBQiPY6HGQC7PNlwB08Qvep_1rw3VjZFkpG2bnB0SnBoY4eC-
yqkQMyVIfxwhrMbS8vJF8gydEwlfP2HbWyAeNS-SmKaujxgukBXxMvugSQM4q8azxzBggYr1ts8PN3fsrbvixjHamsaDWdnPISnh0J5av5bX_0Zlh4?
purpose=fullsize)

The programme’s description of their music as Slow Flow was particularly appropriate.
It suggested a musical environment in which improvisation could develop naturally,
without unnecessary haste, allowing each musician to explore the emotional possibilities
of the material.

Moseholm’s bass and Andersen’s drums completed the quartet’s musical architecture,
providing a flexible rhythmic foundation and enabling the saxophone and piano to
engage in an ongoing conversation.

Jazzhus Montmartre itself carries an important place in European jazz history. Its
intimate atmosphere and long tradition of presenting international jazz masters 
make it one of Copenhagen’s most significant cultural institutions.

The concert was a beautiful example of European jazz at its most personal: two different
musical cultures meeting through melodic sensitivity, harmonic imagination and the
shared freedom of improvisation.

## **Olivia Peevas – Director and Organizer of the EU Jazz & Blues Festival 2026**

![](https://i0.wp.com/jazzblues.eu/wp-content/uploads/2026/11/Olivia-Peevas-JazzBlues.
EU_-e1793819746792.jpg?resize=640%2C429&ssl=1)

### **A vision of European musical unity, artistic excellence and cultural friendship**

At the heart of the EU Jazz & Blues Festival 2026 stands its director and organizer,**
Olivia Peevas**, whose leadership and artistic vision give this ambitious international
undertaking its identity, direction and distinctive cultural character.

The Autumn–Winter Jazz – Blues Season is an impressive expression of what a European
music festival can become when artistic ambition is combined with organisational
dedication, international cooperation and a genuine love of music.

**Olivia Peevas** deserves particular recognition for bringing together such a broad
and diverse programme, connecting cities, countries, concert halls, musicians and
audiences through a shared appreciation of jazz and blues. Her work represents more
than the coordination of individual concerts. It involves creating a coherent artistic
experience across an entire continent, where every performance contributes to a 
larger cultural narrative.

The geographical scale of the 2026 season is especially impressive. Barcelona, London,
Paris, Copenhagen, Brussels, Dortmund, Ingolstadt, Osnabrück and Šumperk become 
interconnected points on a European musical map.

Each city contributes its own cultural identity, architectural beauty and musical
traditions. Each venue offers a different atmosphere, from the magnificent Palau
de la Música Catalana to the intimate atmosphere of La Fontaine and the historic
Jazzhus Montmartre.

**Olivia Peevas**‘s programme also demonstrates an understanding of the importance
of artistic diversity. The inclusion of Samara Joy, Robert Glasper, Marc Copland,
Jean Toussaint, Goldie, Asha Puthli, Raffaele Casarano and the many distinguished
blues performers reveals a broad and adventurous curatorial perspective.

![](https://i0.wp.com/jazzblues.eu/wp-content/uploads/2023/03/cropped-Europe-Jazz-
Blues-Festivals-e1722000968346-1024x362.jpg?resize=640%2C226&ssl=1)

It is particularly commendable that the festival does not restrict itself to one
definition of jazz or blues. Instead, it recognises the extraordinary relationships
between traditional jazz, contemporary improvisation, soul, funk, electronic music,
blues-rock and world music.

This openness makes the festival relevant to different generations of listeners 
and provides opportunities for audiences to discover artists and musical traditions
they might not otherwise encounter.

Another important achievement is the festival’s European dimension. By connecting
established cultural institutions with smaller independent venues, the programme
celebrates both the great concert traditions of Europe and the intimate environments
in which jazz and blues continue to flourish.

**Olivia Peevas**‘s leadership reflects the understanding that music festivals are
also cultural bridges. They encourage international cooperation, promote artistic
exchange, strengthen local cultural communities and create lasting relationships
between musicians and audiences. Her contribution deserves to be recognised not 
only for the scale of the programme but also for its artistic ambition, its positive
international spirit and its commitment to the continuing development of European
musical culture.

![Janiva Magness](https://images.openai.com/static-rsc-4/NmYvZbGQ_LwBzmvRtthArQu810mJNV3VbsV8RW30CPT5MSXxrGpe-
iPGoLxFM4uQje5GXdCGBVFiQr-4kxeohnVcy7CETgAScs4XPywo-BBAjYAhftuZD8y1dn2Va3-WeVl3Bajw1s1B7JjrC5aSrwlmopok9PBslO2w8yQLB8EHUKj5_2YZj0PdJJykVr8b?
purpose=fullsize)

**The EU Jazz & Blues Festival 2026 is a celebration of music without borders.**
Its November programme demonstrates the strength of that vision and the importance
of having dedicated cultural organisers who believe in the power of artistic collaboration.

We extend our warmest congratulations to **Olivia Peevas** for her outstanding work
as director and organiser. May her enthusiasm, determination and creative vision
continue to inspire the festival’s development and help establish the EU Jazz & 
Blues Festival as one of Europe’s most interesting and internationally connected
jazz and blues initiatives.

![Goldie & The Heritage Orchestra at the Royal Festival Hall - Mixmag.net](https://
images.openai.com/static-rsc-4/2R7gPLrMrht_304A8Lawxxmnwtk2b9wLRuq7GRBTGOeanw1xlE4yoQiIVxnYr0bB4MEHOoFRuqwt8I0Uni88WhWc_4ezuvWBCWT1AdHeFOHMp_H1OM30GmYeAwRJxLDItjbodHeUZCjuHFtsNc0-
2JcS9_Rk5ylX5dQUGigIzhCbBZDyXh6Cq3SM1WCYMpo0?purpose=fullsize)

### **Final editorial perspective**

The November chapter of the EU Jazz & Blues Festival 2026 illustrates the extraordinary
richness of Europe’s contemporary musical landscape. From the refined vocal artistry
of Samara Joy to the genre-crossing imagination of Robert Glasper, from Marc Copland’s
piano poetry to the powerful blues traditions of Šumperk, from Goldie’s orchestral
electronic vision to Asha Puthli’s cosmic musical universe, the programme presents
an impressive panorama of artistic expression.

It is a season that celebrates tradition without becoming confined by it, embraces
innovation without abandoning musical roots and brings together artists whose individual
voices contribute to the continuing evolution of jazz and blues.

Under the direction of **Olivia Peevas**, the EU Jazz & Blues Festival 2026 continues
to build a musical bridge across Europe – a bridge made of creativity, cultural 
friendship, artistic excellence and the universal language of music.

**By Olivia Lomerd, Lauren Wulff, Daniella Bushler, Katrin Woods**

_EU Jazz & Blues Festival 2026 – Autumn–Winter Jazz – Blues Season. Music without
borders. Culture without boundaries._

![Jazzopen 2021 In Stuttgart](https://images.openai.com/static-rsc-4/KtCHxgM_zrNCx3yilo4l6cVeEigvYCrXkkUCCqI3Y_v9E6flTf5rqstfJhep0YeNLE8fU8feRI0xtftTk7rRylDFgOyeFFe6lv7HmfC5r9hQuGBRqwPbwCTiyMGjUded7ElZQGgg55JF_C9ABxKEjfGss4j4W2UUJwVum-
ObBrk39NN7VUGV5VnLbuhuovxn?purpose=fullsize)

### _Related_